{"id":65196,"date":"2017-01-17T11:02:30","date_gmt":"2017-01-17T10:02:30","guid":{"rendered":"https:\/\/www.iemj.org\/la-musique-juive-baroque-2eme-partie\/"},"modified":"2025-06-19T12:28:35","modified_gmt":"2025-06-19T10:28:35","slug":"la-musique-juive-baroque-2eme-partie","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/it\/la-musique-juive-baroque-2eme-partie\/","title":{"rendered":"La musica ebraica barocca 2\u00b0 parte"},"content":{"rendered":"<p><strong>Ascolta una nuova selezione di musica barocca ebraica con opere di Rossi, Grossi, Saladin, Caceres e Lidarti<\/strong><\/p>\n<p><strong><!--more--><\/strong>Dalla notte dei tempi le musiche ebraiche si sono trasmesse per via orale. Tranne tre frammenti manoscritti di Ovadia il Proselito nel XII secolo [1] ed alcune cantillazioni bibliche del XV e XVI secolo <span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_65196_1('footnote_plugin_reference_65196_1_1');\" onkeypress=\"footnote_moveToReference_65196_1('footnote_plugin_reference_65196_1_1');\" ><sup id=\"footnote_plugin_tooltip_65196_1_1\" class=\"footnote_plugin_tooltip_text\">[1]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_65196_1_1\" class=\"footnote_tooltip\">Cf. Israel Adler, &#8220;Les chants synagogaux not\u00e9s au XIIe si\u00e8cle (ca 1102-1150) par Abdias le pros\u00e9lyte normand&#8221;, Revue de Musicologie, 51, 1965, pp. 19-51.<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_65196_1_1').tooltip({ tip: '#footnote_plugin_tooltip_text_65196_1_1', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script> ed alcune cantillazioni bibliche del XV e XVI secolo<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_65196_1('footnote_plugin_reference_65196_1_2');\" onkeypress=\"footnote_moveToReference_65196_1('footnote_plugin_reference_65196_1_2');\" ><sup id=\"footnote_plugin_tooltip_65196_1_2\" class=\"footnote_plugin_tooltip_text\">[2]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_65196_1_2\" class=\"footnote_tooltip\">Si tratta in particolare di cantillazioni bibliche annotate da degli umanisti cristiani desiderosi di studiare i testi biblici nella loro version originale. Cf. J. B\u00f6schenstein (Codex hebraicus,&nbsp;&#x2026; <span class=\"footnote_tooltip_continue\"  onclick=\"footnote_moveToReference_65196_1('footnote_plugin_reference_65196_1_2');\">Lire la suite<\/span><\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_65196_1_2').tooltip({ tip: '#footnote_plugin_tooltip_text_65196_1_2', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>.<\/p>\n<p>Si deve attendere il XVII secolo per vedere apparire in Italia, ad Amsterdam e nel Comtat Venaissin, le prime notazioni musicali suonate in un contesto comunitario ebraico. E queste opere sono decisamente moderne poich\u00e9 assumono il linguaggio musicale dell&#8217;epoca: il barocco!<\/p>\n<ul>\n<li><a href=\"https:\/\/www.iemj.org\/it\/la-musique-juive-baroque\/\" target=\"_blank\" rel=\"noopener\">Consultare l&#8217;articolo di fondo sulla musica ebraica barocca<\/a><\/li>\n<li><a href=\"https:\/\/www.iemj.org\/it\/baroque-jewish-music\/\" target=\"_blank\" rel=\"noopener\">Ascoltare il programma radiofonico: Musiche ebraiche barocche, presentato da Herv\u00e9 Roten<\/a><\/li>\n<li><a href=\"https:\/\/www.iemj.org\/it\/the-hidden-sides-of-jewish-music-baroque-jewish-music\/\" target=\"_blank\" rel=\"noopener\">Ascoltare il programma radiofonico: Le facce nascoste della musica ebraica: Musiche Ebraiche Barocche presentato da H\u00e9l\u00e8ne Engel<\/a><\/li>\n<li><a href=\"https:\/\/www.iemj.org\/it\/la-musique-juive-baroque-1\/\" target=\"_blank\" rel=\"noopener\">Ascoltare la playlist: Musica ebraica barocca 1\u00b0 parte<\/a><\/li>\n<\/ul>\n<p><!--more--><\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\" aligncenter size-full wp-image-12712\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/doc_4_baroque500px.jpg\" alt=\"doc_4_baroque500px.jpg\" width=\"500\" height=\"445\" align=\"middle\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/doc_4_baroque500px.jpg 500w, https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/doc_4_baroque500px-300x267.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110609\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/1_kaddish_rossi_extrait_-_ensemble_apollo.mp3\">Kaddish (Rossi) (EXTRAIT) &#8211; Ensemble Apollo<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/2_al_naharot_bavel_psaume_37_rossi_-_ensemble_texto.mp3\">Al naharot Bavel psaume 37 (Rossi) &#8211; Ensemble Texto<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/3chant_en_echo_pour_un_mariage_rossi_extrait_-_avner_itai.mp3\">Chant en echo pour un mariage (Rossi) (EXTRAIT) &#8211; Avner Itai<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/4_cantata_ebraica_in_dialogo_grossi_extrait_-_joel_cohen.mp3\">Cantata Ebraica in Dialogo (Grossi) &#8211; Jo\u00ebl Cohen<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/5_aria_allegra_casale_monferato_hoshaana_raba_extrait_.mp3\">H\u00f4sha&#8217;na Raba in Casale Monferrato (EXTRAIT)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/6_canticum_hebraicum_saladin_extrait_-_avner_itai_couper_vers_2_55.mp3\">Canticum hebraicum (Saladin) (EXTRAIT) &#8211; Avner Itai<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/7_leel_elim_caceres_-_ensemble_texto.mp3\">Leel elim (Caceres) &#8211; Ensemble Texto<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/8_hishki_hizki_caceres_-_ensemble_texto.mp3\">Hishki Hizki (Caceres) &#8211; Ensemble Texto<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/9_befi_yesharim_lidarti_-_ensemble_apollo.mp3\">Befi yesharim (Lidarti) &#8211; Ensemble Apollo<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/10_oratorio_ester_zed_yahir_lidarti_-_ensemble_texto.mp3\">Oratorio Ester_Zed Yahir (Lidarti) &#8211; Ensemble Texto<\/a><\/div>\n<div class=\"speaker-mute footnotes_reference_container\"> <div class=\"footnote_container_prepare\"><p><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_label pointer\" onclick=\"footnote_expand_collapse_reference_container_65196_1();\">&#x202F;<\/span><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_collapse_button\" style=\"display: none;\" onclick=\"footnote_expand_collapse_reference_container_65196_1();\">[<a id=\"footnote_reference_container_collapse_button_65196_1\">+<\/a>]<\/span><\/p><\/div> <div id=\"footnote_references_container_65196_1\" style=\"\"><table class=\"footnotes_table footnote-reference-container\"><caption class=\"accessibility\">References<\/caption> <tbody> \r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_65196_1('footnote_plugin_tooltip_65196_1_1');\"><a id=\"footnote_plugin_reference_65196_1_1\" class=\"footnote_backlink\">1<\/a><\/th> <td class=\"footnote_plugin_text\">Cf. Israel Adler, &#8220;Les chants synagogaux not\u00e9s au XIIe si\u00e8cle (ca 1102-1150) par Abdias le pros\u00e9lyte normand&#8221;, Revue de Musicologie, 51, 1965, pp. 19-51.<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_65196_1('footnote_plugin_tooltip_65196_1_2');\"><a id=\"footnote_plugin_reference_65196_1_2\" class=\"footnote_backlink\">2<\/a><\/th> <td class=\"footnote_plugin_text\">Si tratta in particolare di cantillazioni bibliche annotate da degli umanisti cristiani desiderosi di studiare i testi biblici nella loro version originale. Cf. J. B\u00f6schenstein (Codex hebraicus, Munich, vers 1500), Johannes Reuchlin (De accentibus et orthographia linguae hebraicae, Haguenau, 1518), od ancora Sebastian M\u00fcnster (Institutiones grammaticae in hebream linguam, B\u00e2le, 1524).<\/td><\/tr>\r\n\r\n <\/tbody> <\/table> <\/div><\/div><script type=\"text\/javascript\"> function footnote_expand_reference_container_65196_1() { jQuery('#footnote_references_container_65196_1').show(); jQuery('#footnote_reference_container_collapse_button_65196_1').text('\u2212'); } function footnote_collapse_reference_container_65196_1() { jQuery('#footnote_references_container_65196_1').hide(); jQuery('#footnote_reference_container_collapse_button_65196_1').text('+'); } function footnote_expand_collapse_reference_container_65196_1() { if (jQuery('#footnote_references_container_65196_1').is(':hidden')) { footnote_expand_reference_container_65196_1(); } else { footnote_collapse_reference_container_65196_1(); } } function footnote_moveToReference_65196_1(p_str_TargetID) { footnote_expand_reference_container_65196_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } } function footnote_moveToAnchor_65196_1(p_str_TargetID) { footnote_expand_reference_container_65196_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } }<\/script>","protected":false},"excerpt":{"rendered":"<p>Ascolta una nuova selezione di musica barocca ebraica con opere di Rossi, Grossi, Saladin, Caceres e Lidarti<\/p>\n","protected":false},"author":1052,"featured_media":65197,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1536],"tags":[2091],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1892,1895],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-65196","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-playlist-it","tag-italia-it","genre-liturgia-it","genre-musica-barocca-it"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La musica ebraica barocca 2\u00b0 parte - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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