{"id":82502,"date":"2010-03-11T15:29:06","date_gmt":"2010-03-11T14:29:06","guid":{"rendered":"https:\/\/www.iemj.org\/reflexions-sur-la-thora-cantilee\/"},"modified":"2022-04-06T09:49:33","modified_gmt":"2022-04-06T07:49:33","slug":"reflexions-sur-la-thora-cantilee","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/it\/reflexions-sur-la-thora-cantilee\/","title":{"rendered":"Riflessioni sulla Torah cantillata"},"content":{"rendered":"

Jean-Philippe Amar \u00e8 dottorando presso l’Universit\u00e0 Paris IV Sorbona e prepara una tesi sulla cantillazione della Torah nelle comunit\u00e0 ebraiche parigine.<\/strong><\/p>\n

La lettura della Torah, il Pentateuco, una pratica che risalirebbe a Mos\u00e8, \u00e8 diventata da Esdra lo scriba (V secolo a.C) il momento essenziale del culto sinagogale. Una pericope viene cantillata al servizio mattutino settimanale dello Shabbat, seguendo un ciclo annuale di lettura che divide il testo in cinquantaquattro parti (parasha).<\/p>\n

Questa lettura cantata, nonostante la variet\u00e0 dei riti interpretativi, si basa sullo stesso sistema di teamim, sviluppato dai masoreti a Tiberiade durante il Medioevo. \u00c8 un insieme di segni diacritici che indicano, non strettamente, un modo di cantare le parole e tagliare i versi. Ogni taam propone una formula melodica, poco precisa, che lascia quindi all’interprete un margine di relativa libert\u00e0, nel rispetto del testo da trasmettere ai fedeli.<\/p>\n

Questo articolo \u00e8 una riflessione sui principi della cantilazione ebraica attraverso le nozioni di trasmissione del messaggio divino, delle sue interpretazioni e infine della creazione di significato in un approccio ermeneutico della pratica della lettura rituale cantata.<\/p>\n\n\n

Riflessioni sulla Torah cantillata, articolo di Jean-Philippe Amar <\/a>Scaricare<\/a><\/div>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Jean-Philippe Amar \u00e8 dottorando presso l’Universit\u00e0 Paris IV Sorbona e prepara una tesi sulla cantillazione della Torah nelle comunit\u00e0 ebraiche parigine.<\/p>\n","protected":false},"author":1045,"featured_media":82503,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1407,1409],"tags":[],"technique":[],"squelettes":[],"sujet":[2097],"formation":[],"genre":[1892],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-82502","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articoli-di-fondo-it","category-musica-liturgica-it","sujet-accenti-biblici-teamim-it","genre-liturgia-it"],"acf":[],"yoast_head":"\nRiflessioni sulla Torah cantillata - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" 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