{"id":82660,"date":"2016-04-26T09:39:26","date_gmt":"2016-04-26T07:39:26","guid":{"rendered":"https:\/\/www.iemj.org\/pessah-2eme-partie\/"},"modified":"2025-04-08T12:14:45","modified_gmt":"2025-04-08T10:14:45","slug":"pessah-2eme-partie","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/it\/pessah-2eme-partie\/","title":{"rendered":"Pessach \u2013 seconda parte"},"content":{"rendered":"<p><strong>Una seconda selezione dei pi\u00f9 bei brani pasquali<\/strong><\/p>\n<p><!--more--><\/p>\n<p>La Pasqua, in ebraico &#8220;passare oltre&#8221;, si riferisce all&#8217;esodo degli Ebrei dalla terra d&#8217;Egitto, e ricorda che durante le dieci piaghe inflitte agli egiziani, Dio uccise tutti i primogeniti egiziani ma pass\u00f2 oltre le case ebraiche preservandole&#8230;<\/p>\n<p>La celebrazione della Pasqua, che si svolge all&#8217;inizio della primavera, \u00e8 caratterizzata da un pasto in famiglia, il Seder.<\/p>\n<p><span style=\"font-size: inherit;\"><img decoding=\"async\" class=\" alignright size-full wp-image-10325\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/04\/doc_5_pessah_500px_35pc.jpg\" alt=\"doc_5_pessah_500px_35pc.jpg\" width=\"175\" height=\"175\" align=\"right\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/04\/doc_5_pessah_500px_35pc.jpg 175w, https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/04\/doc_5_pessah_500px_35pc-150x150.jpg 150w, https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/04\/doc_5_pessah_500px_35pc-100x100.jpg 100w\" sizes=\"(max-width: 175px) 100vw, 175px\" \/><\/span><\/p>\n<p>Il seder inizia tradizionalmente con la dichiarazione del capofamiglia che evoca il pane azzimo, la Matzah, pane che non aveva avuto il tempo di lievitare al momento della fuga degli Ebrei.<\/p>\n<p>Poco dopo il pi\u00f9 giovane della famiglia fa 4 domande che iniziano con \u201cMa nishtana halayla haz\u00e9\u2026\u201d \u201cPerch\u00e9 questa notte \u00e8 diversa dalle altre notti?\u00bb<\/p>\n<p><img decoding=\"async\" class=\" alignleft size-full wp-image-10329\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/04\/doc_4_pessah_500px_35pc.jpg\" alt=\"doc_4_pessah_500px_35pc.jpg\" width=\"175\" height=\"176\" align=\"left\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/04\/doc_4_pessah_500px_35pc.jpg 175w, https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/04\/doc_4_pessah_500px_35pc-150x150.jpg 150w, https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/04\/doc_4_pessah_500px_35pc-100x100.jpg 100w\" sizes=\"(max-width: 175px) 100vw, 175px\" \/><\/p>\n<p>Il seder si conclude con la ricerca dell&#8217;Afikomane, mezzo pezzo di Matzah che \u00e8 messo da parte all&#8217;inizio del pasto, per essere mangiato come dessert dopo il pasto, destinato a essere l&#8217;ultima cosa da mangiare del Seder pasquale, per mantenere in bocca il sapore del pane azzimo.<\/p>\n<p>Tradizionalmente, il capofamiglia nasconde l&#8217;afikomane per tenere svegli i bambini durante il lungo rituale del seder.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"alignright wp-image-10327 size-full\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/04\/doc_3_pessah500px_r-e1713193551305.jpg\" alt=\"doc_3_pessah500px_r.jpg\" width=\"366\" height=\"250\" align=\"middle\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/04\/doc_3_pessah500px_r-e1713193551305.jpg 366w, https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/04\/doc_3_pessah500px_r-e1713193551305-300x205.jpg 300w\" sizes=\"(max-width: 366px) 100vw, 366px\" \/><\/p>\n<ul>\n<li><a href=\"https:\/\/www.iemj.org\/it\/pessah-1ere-partie\/\" target=\"_blank\" rel=\"noopener\">Ascoltare la playlist : Pessach (1a parte)<\/a><\/li>\n<li><a href=\"https:\/\/www.iemj.org\/musiques-du-seder-de-pessah-voyage-au-sein-des-traditions-musicales-de-la-paque-juive\/\" target=\"_blank\" rel=\"noopener\">Ascoltare il programma radiofonico: Musiche dal Seder Pasquale \u2013 Viaggio attraverso le tradizioni musicali della Pasqua ebraica<\/a><\/li>\n<\/ul>\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-ba9ac43c-b9e2-4239-9184-b4688b2843ff\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/04\/haggada_de_paque_-_nathan_cohen_t.mp3\">Haggada de P\u00e2que &#8211; rite tunisien &#8211; Nathan COHEN<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-a51ad2a2-cf52-4420-a656-62eb634394e1\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/04\/ma_nishtana_-_nira_rabinovitz.mp3\">Ma nishtana &#8211; Nira RABINOVITZ<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-de6deaed-5ef2-4423-addc-65c6710fcdd8\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/04\/ha_lah_ma_anya_-_danin_delmin_t.mp3\">Ha Lah&#8217;Ma Anya &#8211; Danin DELMIN<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-05afcc9f-b63d-49a4-abc1-c18d8934e03e\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/04\/dayenu_-_tzena_tzena.mp3\">Dayenu &#8211; Ray MUSIKER<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-3ac5c57b-abfd-4b64-9a07-830fa7dec27c\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/04\/dayeynu_-_dave_tarras_t.mp3\">Dayeynu &#8211; Dave TARRAS<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-612ae3c3-281e-483d-bd2c-cac984d860ba\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/04\/moche_batevah_-_51_holiday_songs_for_eyal_t.mp3\">Moche Batevah &#8211; 51 Holiday Songs for Eyal<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-5ff6b3be-8f6e-4bb0-b4ab-9ec02f55d78e\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/04\/had_gadya_-_shula_chen_t.mp3\">Had Gadya &#8211; Shula CHEN<\/a><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110609\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Una seconda selezione dei pi\u00f9 bei brani pasquali<\/p>\n","protected":false},"author":1052,"featured_media":111205,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1536],"tags":[],"technique":[],"squelettes":[],"sujet":[1827],"formation":[],"genre":[],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-82660","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-playlist-it","sujet-pessach-it"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Pessach \u2013 seconda parte - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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