{"id":89128,"date":"2018-01-09T16:29:20","date_gmt":"2018-01-09T15:29:20","guid":{"rendered":"https:\/\/www.iemj.org\/staiffi-alberto\/"},"modified":"2022-10-24T15:04:45","modified_gmt":"2022-10-24T13:04:45","slug":"staiffi-alberto","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/it\/staiffi-alberto\/","title":{"rendered":"Sta\u00efffi, Alberto"},"content":{"rendered":"<p>&#8220;Ch\u00e9rie je t&#8217;aime, Ch\u00e9rie je t&#8217;adore&#8221;, una formula semplice ed efficace che ha fatto, fa e far\u00e0 ballare le folle fino allo sfinimento.<\/p>\n<p>Quando nel 1960 Alberto Sta\u00efffi riprende a modo suo questa canzone tradizionale magrebina, essa diventa un inno alla danza, al divertimento ma anche alla nostalgia e all&#8217;oblio di un&#8217;Algeria abbandonata troppo presto, lasciando con s\u00e9 il calore della sua bianca capitale, la sua strade piene di vari profumi e di musiche ammalianti.<\/p>\n<p>Vero successo, \u201cMustafa, Ch\u00e9rie je t&#8217;aime, Ch\u00e9rie je t&#8217;adore\u201d sar\u00e0 la consacrazione di una carriera iniziata prima nei cabaret parigini e pi\u00f9 precisamente \u201cLe Soleil d&#8217;Alg\u00e9rie\u201d in compagnia di artisti famosi come Dario Moreno, Henri Genes e soprattutto Sidney Bechet.<\/p>\n<p><span style=\"font-size: inherit;\"><img fetchpriority=\"high\" decoding=\"async\" class=\" alignright size-full wp-image-17725\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/01\/staiffi_je_t_aime_80_.jpg\" alt=\"staiffi_je_t_aime_80_.jpg\" width=\"256\" height=\"253\" align=\"right\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/01\/staiffi_je_t_aime_80_.jpg 256w, https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/01\/staiffi_je_t_aime_80_-100x100.jpg 100w\" sizes=\"(max-width: 256px) 100vw, 256px\" \/><\/span><\/p>\n<p>Famoso clarinettista americano (ex partner di \u201cDuke\u201d Ellington, Louis Armstrong o Josephine Baker), Sidney Bechet diventer\u00e0 molto presto un amico, un confidente, un vero fratello maggiore per Sta\u00efffi. Comprendendo molto rapidamente il talento di Sta\u00efffi, lo presenter\u00e0 alla casa discografica Vogue con la quale Sta\u00efffi firmer\u00e0 un contratto. Il punto di partenza sar\u00e0 il disco 45 giri \u201cLe cipolle (Les oignons)\u201d celebre titolo dell&#8217;amico Bechet adattato in arabo e che conoscer\u00e0 molti passaggi su Europa 1.<\/p>\n<p>Da quel momento, Sta\u00efffi inizia una vera carriera con la casa discografica Vogue insieme ad altre promesse di Vogue come Johnny HALLYDAY, Colette RENARD, Jean CONSTANTIN,&#8230; concatenando successo dopo successo &#8220;Faubourg Montmartre&#8221;, &#8220;Mon pays&#8221;, &#8220;Du tout ennuy\u00e9 \u201d \u2026Prima consacrazione: l&#8217;Olympia, dove \u00e8 accompagnato da Colette RENARD e Jean CONSTANTIN.<\/p>\n<p><img decoding=\"async\" class=\" alignleft size-full wp-image-17727\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/01\/affiche_olympia_officielle_85_.jpg\" alt=\"affiche_olympia_officielle_85_.jpg\" width=\"174\" height=\"272\" align=\"left\" \/><\/p>\n<p>Le canzoni gioviali, ritmiche ma anche nostalgiche lo fanno conoscere su entrambe le sponde del Mediterraneo, misto di Occidente e Oriente offrendogli una tourn\u00e9e trionfale attraverso il Maghreb ed il Medio Oriente.<\/p>\n<p>Ma gli eventi politici che scuotono l\u2019Algeria e la Francia lo raggiungono. &#8220;Mustafa (cara ti amo, cara ti adoro)&#8221;, essendo diventata molto popolare all&#8217;epoca, circolano delle voci che questa canzone sia l&#8217;inno del F.L.N. (Fronte di Liberazione Nazionale). Da quel momento la carriera di Sta\u00efffi si trasforma in un incubo; \u00e8 minacciato, lui che non \u00e8 impegnato politicamente. Gli viene chiesto di smettere di cantare &#8220;Mustafa&#8221;. Il Governatore Generale di Algeri d\u00e0 l&#8217;ordine di vietare la vendita del disco &#8220;MUSTAFA&#8221; e tutti i contratti ed i concerti di Sta\u00efffi e dei suoi Mustafa\u2019s sono annullati. Traumatizzato, decide di abbandonare la carriera artistica.<\/p>\n<p><img decoding=\"async\" class=\" alignright size-full wp-image-17729\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/01\/tape_cinq_recto_80_.jpg\" alt=\"tape_cinq_recto_80_.jpg\" width=\"252\" height=\"256\" align=\"right\" \/><\/p>\n<p>Dopo 5 anni di silenzio, nel 1965, torna alle origini. Firma un contratto con Barclay e registra un 45 giri di 4 titoli in stretta collaborazione con il suo amico Gabriel Chekroun (autore): Tape Cinq, Yaholele, Les filles de Boufarik e La Tchouktchouka. Questo 45 giri \u00e8 un grande successo. Ma, le cicatrici avendo difficolt\u00e0 a richiudersi, rompe completamente con la professione e si stabilisce nel sud della Francia, a Montpellier.<\/p>\n<p>E&#8217; nel 2001 che Barclay\/Universal informa Sta\u00efffi che la sua canzone &#8220;Tape Cinq&#8221; appare in una raccolta prodotta dall&#8217;etichetta E.M.I. \u201cLa verit\u00e0 che \u00e8 una compilazione\u201d insieme a Dalida, Khaled, Alabina, Rachid Taha, ecc\u2026 Successivamente, i titoli registrati alla Barclay nel 1965 sono pubblicati su diverse raccolte (France Loisirs, Marianne M\u00e9lodie, Reader&#8217;s Digest\u2026). \u201c<strong>La Tchuktchouka<\/strong>\u201d \u00e8 stata persino utilizzata per la musica del film \u201cShem\u201d di Caroline Roboh.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-17733 alignleft\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/01\/sony_music_1_redim.jpg\" alt=\"sony_music_1_redim.jpg\" width=\"234\" height=\"199\" align=\"left\" \/><\/p>\n<p>Nello stesso periodo, Sta\u00efffi \u00e8 sollicitato per condurre un programma dal titolo \u201cSuccessi di ieri, successi di oggi\u201d su di una radio locale di Montpellier: Radio Aviva. Questo contatto con migliaia di ascoltatori lo riporta nel mondo artistico. Il che non gli dispiace.<\/p>\n<p>Nel 2013, Staiffi registra una nuova canzone intitolata &#8220;Perch\u00e8 mi hai abbandonato\u00a0? \/ A\u00e2lech khallitini ouahdi?&#8221;. Questa canzone era stata progettata in stretta collaborazione con i suoi due grandi amici Jean-Paul Cara e Gabriel Chekroun.<\/p>\n<p>Oggi, tutte le sue canzoni prodotte da Vogue\/Sony Music e Barclay\/Universal sono disponibili per il download su Internet. Inoltre, sono stati ristampati due CD: il disco TAPE CINQ!, prodotto da Barclay nel 1965, e un CD Best-Of di 20 titoli, tra cui il famoso hit \u201cMustafa (cara ti amo, cara ti adoro)\u201d, prodotto da Vogue\/Sony Music nel 2010.<\/p>\n<p>* Biografia liberamente ispirata dal <a href=\"https:\/\/sites.google.com\/site\/albertostaiffi\/biographie\">sito di Alberto Sta\u00efffi<\/a><\/p>\n<ul>\n<li><a href=\"https:\/\/sites.google.com\/site\/albertostaiffi\/home\">Consultare il sito d\u2019Alberto Sta\u00efffi<\/a><\/li>\n<li><a href=\"https:\/\/www.iemj.org\/it\/staiffi-le-roi-du-cha-cha-cha-oriental\/\" target=\"_blank\" rel=\"noopener\">Ascoltare l\u2019emissione radiofonica dedicata ad Alberto Sta\u00efffi<\/a><\/li>\n<li><a href=\"https:\/\/sites.google.com\/site\/albertostaiffi\/videos-youtube\" target=\"_blank\" rel=\"noopener\">Visionare le video di Sta\u00efffi sul suo canale YouTube<\/a><\/li>\n<li><a href=\"https:\/\/www.jechantemagazine.net\/single-post\/2017\/09\/09\/Staiffi-le-Sultan-du-cha-cha-cha-oriental-\" target=\"_blank\" rel=\"noopener\">Leggere l\u2019articolo su Sta\u00efffi nel n\u00b012 di Je chante ! Rivista di gennaio 2016 dedicata alla canzone franco-araba<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Ch\u00e9rie je t&#8217;aime, Ch\u00e9rie je t&#8217;adore&#8221;, una formula semplice ed efficace che ha fatto, fa e far\u00e0 ballare le folle fino allo sfinimento. Quando nel 1960 Alberto Sta\u00efffi riprende a<\/p>\n","protected":false},"author":5,"featured_media":53462,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1416],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1916],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-89128","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-biografie-it","genre-oriental-it"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sta\u00efffi, Alberto - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/it\/staiffi-alberto\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sta\u00efffi, Alberto - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"&#8220;Ch\u00e9rie je t&#8217;aime, Ch\u00e9rie je t&#8217;adore&#8221;, una formula semplice ed efficace che ha fatto, fa e far\u00e0 ballare le folle fino allo sfinimento. 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