{"id":89498,"date":"2017-12-06T11:16:19","date_gmt":"2017-12-06T10:16:19","guid":{"rendered":"https:\/\/www.iemj.org\/le-chant-des-prieres-dans-le-rite-algerois\/"},"modified":"2025-06-19T16:34:33","modified_gmt":"2025-06-19T14:34:33","slug":"le-chant-des-prieres-dans-le-rite-algerois","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/it\/le-chant-des-prieres-dans-le-rite-algerois\/","title":{"rendered":"Il canto delle preghiere nel rito algerino"},"content":{"rendered":"

Una selezione di preghiere interpretate da Zabulon Sebban (1911-1983), hazzan dal 1927 al 1961 al Grande Tempio di Algeri<\/strong><\/p>\n

Durante la sua adolescenza, <\/span>Zabulon Sebban<\/a> frequenta il Seminario Rabbinico \u201cEts Ha\u00efm\u201d ad Algeri, avendo come compagni i futuri grandi Rabbini Meyer Ja\u00efs (Parigi) e Simon Morali (Nancy poi Nizza). Attraverso i suoi maestri (il grande Rabbino Dayan Isaac Hanoune, i grandi Rabbini Loufrani ed Isaac Morali), acquisisce una profonda conoscenza dei testi e un gusto per lo studio.<\/span><\/p>\n

Hazzan benevolo dal 1927 al 1961 presso il Grande Tempio di Algeri, poi presso la piccola sinagoga di rue Sainte, eccelle nella liturgia tradizionale. Cantare, condividere ed insegnare allo stesso tempo, questo \u00e8 ci\u00f2 che faceva in particolare, quando esprimeva, attraverso il silenzio od il ritmo, una parola (od anche una sillaba) in una frase, che si rivelava particolarmente importante per una migliore comprensione della preghiera. La sua voce morbida, calda e modulata lascia intravedere le origini delle melodie: Spagna, Portogallo, Marocco, Algeri…<\/p>\n\n

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\"\"<\/figure>\n<\/div>\n\n\n

<\/h2>\n\n\n\n
26 K\u00e9ter du Moussaf \u2013 Tonalit\u00e9 solennelle<\/a><\/div>\n\n\n\n
25 K\u00e9ter du Moussaf \u2013 Tonalit\u00e9 joyeuse<\/a><\/div>\n\n\n\n
24 K\u00e9ter du Moussaf \u2013 Tonalit\u00e9 orientale<\/a><\/div>\n\n\n\n
23 K\u00e9ter du Moussaf – Chabbat et f\u00eates \u2013 Tonalit\u00e9 nostalgique<\/a><\/div>\n\n\n\n
22 B\u00e9n\u00e9dictions apr\u00e8s la lecture de la Haftara<\/a><\/div>\n\n\n\n
21 B\u00e9n\u00e9dictions avant la lecture de la Haftara<\/a><\/div>\n\n\n\n
20 Les Ta amim<\/a><\/div>\n\n\n\n
19 Paracha NASSO<\/a><\/div>\n\n\n\n
18 Paracha des 3 F\u00eates EMOR<\/a><\/div>\n\n\n\n
17 Paracha MICHPATIM_Derniers versets<\/a><\/div>\n\n\n\n
16 Paracha YITRO<\/a><\/div>\n\n\n\n
15 Maphtir Paracha BECHALAH suivi du d\u00e9but de la Paracha YITRO<\/a><\/div>\n\n\n\n
14 Paracha BECHALAH<\/a><\/div>\n\n\n\n
13 Paracha VAYEH I<\/a><\/div>\n\n\n\n
12 Paracha BERECHIT<\/a><\/div>\n\n\n\n
11 TORAH TSIVA-LANOU<\/a><\/div>\n\n\n\n
10 KADDICHE<\/a><\/div>\n\n\n\n
9 BIRKAT COHANIM<\/a><\/div>\n\n\n\n
8 KEDDOUSHA et AMIDA<\/a><\/div>\n\n\n\n
7 BAREKHOU du YOTSER OR<\/a><\/div>\n\n\n\n
6 KADDICHE<\/a><\/div>\n\n\n\n
5 RIBON KOL-HAMA ASSIM<\/a><\/div>\n\n\n\n
4 NICHMAT KOL H A\u00cf<\/a><\/div>\n\n\n\n
3 VAYEVAREKH DAVID<\/a><\/div>\n\n\n\n
2 HACHEM MELEKH<\/a><\/div>\n\n\n\n
1 HACHEM MELEKH<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

Una selezione di preghiere interpretate da Zabulon Sebban (1911-1983), hazzan dal 1927 al 1961 al Grande Tempio di Algeri<\/p>\n","protected":false},"author":1052,"featured_media":89499,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1536],"tags":[],"technique":[],"squelettes":[],"sujet":[2097,1809],"formation":[],"genre":[1892],"fonds":[],"tradition":[1964],"type-de-contenu":[],"interprete-compositeur":[3315],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-89498","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-playlist-it","sujet-accenti-biblici-teamim-it","sujet-parachot-it","genre-liturgia-it","tradition-rito-sefardita-it","interprete-compositeur-zabulon-sebban-it"],"acf":[],"yoast_head":"\nIl canto delle preghiere nel rito algerino - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta 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