{"id":90728,"date":"2016-06-30T11:34:24","date_gmt":"2016-06-30T09:34:24","guid":{"rendered":"https:\/\/www.iemj.org\/musiques-hassidiques-2eme-partie\/"},"modified":"2025-05-27T12:54:54","modified_gmt":"2025-05-27T10:54:54","slug":"musiques-hassidiques-2eme-partie","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/it\/musiques-hassidiques-2eme-partie\/","title":{"rendered":"Musiche hassidiche 2nda parte<\/strong>"},"content":{"rendered":"

L’emergere del movimento hassidico in Podolia, nella seconda met\u00e0 del 18\u00b0 secolo, fu accompagnato dalla creazione di un nuovo tipo di canto, a met\u00e0 strada tra la musica religiosa e la musica popolare. Vi invitiamo ad ascoltare qui una selezione di alcuni di questi brani.<\/strong><\/p>\n

<\/p>\n

Nei canti hassidici prevale il tema melodico, spesso accompagnato da brevi onomatopee come “doy doy doy” o “ya-ba-bam” generalmente ripetute pi\u00f9 volte. Dei movimenti del corpo possono anche accompagnare i nigunim (lett. “arie”).<\/p>\n

\"doc_hassidique_500px_65.jpg\"<\/span><\/p>\n

Secondo il Baal Shem Tov, non \u00e8 esclusivamente lo studio dei testi sacri che permette di avvicinarsi a D., ma si pu\u00f2 anche assaporare l’essenza divina attraverso il canto e la danza.<\/p>\n

I nigunim sono eseguiti in uno stile vocale espressivo. \u00c8 nella kavanah (l’intenzione) che risiede l’essenza del nigun, come dimostra un proverbio hassidico: “Il silenzio \u00e8 meglio della parola, ma il canto \u00e8 meglio del silenzio”.<\/p>\n

Ascoltare la playlist Musiche hassidiche 1<\/a><\/p>\n

Ascoltare la playlist Musiche hassidiche 3<\/a><\/p>\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

<\/h2>\n\n\n\n
S’iz nito keyn nekhtn – Jacques GROBER<\/a><\/div>\n\n\n\n
Hashto Baagolo – Leibele WALDMAN<\/a><\/div>\n\n\n\n
Buhsher Khosid – Yiddishe Fantazye <\/a><\/div>\n\n\n\n
V’hi Sheomdoh – Ben Zion Shenker<\/a><\/div>\n\n\n\n
Bimbam – Shalom BERLINSKI<\/a><\/div>\n\n\n\n
Ha’el Hamoshia – Tzvika PICK<\/a><\/div>\n\n\n\n
Lechu Neranena – Esthi KATZ<\/a><\/div>\n\n\n\n
Yedid Nefesh – Ben Zion Shenker<\/a><\/div>\n\n\n\n
Khsidishe Hopke – Yiddishe Fantazye<\/a><\/div>\n\n\n\n
Tzam\u2019a Nafshi – Effi Netzer Singers<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

L’emergere del movimento hassidico in Podolia, nella seconda met\u00e0 del 18\u00b0 secolo, fu accompagnato dalla creazione di un nuovo tipo di canto, a met\u00e0 strada tra la musica religiosa e<\/p>\n","protected":false},"author":1052,"featured_media":90729,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1536],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-90728","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-playlist-it"],"acf":[],"yoast_head":"\nMusiche hassidiche 2nda parte - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" 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