{"id":90734,"date":"2016-10-17T15:36:43","date_gmt":"2016-10-17T13:36:43","guid":{"rendered":"https:\/\/www.iemj.org\/musiques-hassidiques-3eme-partie\/"},"modified":"2025-05-27T12:54:49","modified_gmt":"2025-05-27T10:54:49","slug":"musiques-hassidiques-3eme-partie","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/it\/musiques-hassidiques-3eme-partie\/","title":{"rendered":"Musiche hassidiche terza parte<\/strong>"},"content":{"rendered":"

L’emergere del movimento hassidico in Podolia, nella seconda met\u00e0 del 18\u00b0 secolo, fu accompagnato dalla creazione di un nuovo tipo di canto, a met\u00e0 strada tra la musica religiosa e la musica popolare. Vi invitiamo ad ascoltare qui una selezione di alcuni di questi brani.<\/strong><\/p>\n

<\/p>\n

Nelle canzoni hassidiche prevale il tema melodico, spesso accompagnato da brevi onomatopee come “doy doy doy” o “ya-ba-bam” generalmente ripetute pi\u00f9 volte. Dei movimenti del corpo possono anche accompagnare i nigunim (lett. “arie”).<\/p>\n

\"doc_2_hassidique_3.jpg\"<\/p>\n

Secondo il Baal Shem Tov, non \u00e8 esclusivamente lo studio dei testi sacri che permette di avvicinarsi a D., ma si pu\u00f2 anche assaporare l’essenza divina attraverso il canto e la danza.<\/p>\n

I nigunim sono eseguiti in uno stile vocale espressivo. \u00c8 nella kavanah (l’intenzione) che risiede l’essenza del nigun, come dimostra un proverbio hassidico: “Il silenzio \u00e8 meglio della parola, ma il canto \u00e8 meglio del silenzio”.<\/p>\n

Ascoltare la playlist Musiche hassidiche 1<\/a><\/p>\n

Ascoltare la playlist Musiche hassidiche 2<\/a><\/p>\n<\/p>\n

\"doc_1_hassidique_3_500px.jpg\"<\/p>\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

<\/h2>\n\n\n\n
Hallu Hodu – Ben ZION SHENKER<\/a><\/div>\n\n\n\n
Hodu Lashem – Sholosh R’Golim<\/a><\/div>\n\n\n\n
Nigun Levavi – Rabbi Shmuel BETSALEL ALTHAUS<\/a><\/div>\n\n\n\n
Rabbi Chaim’s Dance – Giora FEIDMAN<\/a><\/div>\n\n\n\n
Samchenu – Nira RABINOVITZ<\/a><\/div>\n\n\n\n
Sim Shalom – Gali ATARI<\/a><\/div>\n\n\n\n
Sisu V’Simchu – Sholosh R’Golim<\/a><\/div>\n\n\n\n
The Thre’ngers – Vehaer EYNEUINU<\/a><\/div>\n\n\n\n
Waltz of the Modzhitz Hassidim – Hassidic tunes of Dancing & Rejoicing<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

L’emergere del movimento hassidico in Podolia, nella seconda met\u00e0 del 18\u00b0 secolo, fu accompagnato dalla creazione di un nuovo tipo di canto, a met\u00e0 strada tra la musica religiosa e<\/p>\n","protected":false},"author":1052,"featured_media":90735,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1536],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-90734","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-playlist-it"],"acf":[],"yoast_head":"\nMusiche hassidiche terza parte - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/it\/musiques-hassidiques-3eme-partie\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Musiche hassidiche terza parte - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"L’emergere del movimento hassidico in Podolia, nella seconda met\u00e0 del 18\u00b0 secolo, fu accompagnato dalla creazione di un nuovo tipo di canto, a met\u00e0 strada tra la musica religiosa e\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/it\/musiques-hassidiques-3eme-partie\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2016-10-17T13:36:43+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-05-27T10:54:49+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/arton1898.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"500\" \/>\n\t<meta property=\"og:image:height\" content=\"332\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Lea Couderc\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Lea Couderc\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/musiques-hassidiques-3eme-partie\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/musiques-hassidiques-3eme-partie\\\/\"},\"author\":{\"name\":\"Lea Couderc\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#\\\/schema\\\/person\\\/e2ad57f2c4be119c7ed8ab79036807a9\"},\"headline\":\"Musiche hassidiche terza parte\",\"datePublished\":\"2016-10-17T13:36:43+00:00\",\"dateModified\":\"2025-05-27T10:54:49+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/musiques-hassidiques-3eme-partie\\\/\"},\"wordCount\":219,\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/musiques-hassidiques-3eme-partie\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2016\\\/10\\\/arton1898.jpg\",\"articleSection\":[\"Playlist\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/musiques-hassidiques-3eme-partie\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/musiques-hassidiques-3eme-partie\\\/\",\"name\":\"Musiche hassidiche terza parte - Institut Europ\u00e9en des Musiques Juives\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/musiques-hassidiques-3eme-partie\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/musiques-hassidiques-3eme-partie\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2016\\\/10\\\/arton1898.jpg\",\"datePublished\":\"2016-10-17T13:36:43+00:00\",\"dateModified\":\"2025-05-27T10:54:49+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/musiques-hassidiques-3eme-partie\\\/#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.iemj.org\\\/it\\\/musiques-hassidiques-3eme-partie\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/musiques-hassidiques-3eme-partie\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2016\\\/10\\\/arton1898.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2016\\\/10\\\/arton1898.jpg\",\"width\":500,\"height\":332},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/musiques-hassidiques-3eme-partie\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Musiche hassidiche terza parte\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#website\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"description\":\"Des traditions musicales \u00e0 la port\u00e9e de tous\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#organization\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"width\":150,\"height\":50,\"caption\":\"Institut Europ\u00e9en des Musiques Juives\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/MusiquesJuives\\\/\",\"https:\\\/\\\/www.instagram.com\\\/musiquesjuives\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/musiquesjuives\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#\\\/schema\\\/person\\\/e2ad57f2c4be119c7ed8ab79036807a9\",\"name\":\"Lea Couderc\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/46ee021475d60aeff17a7e490b79dea5a5684bb392ab7fd1494027411df8ba23?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/46ee021475d60aeff17a7e490b79dea5a5684bb392ab7fd1494027411df8ba23?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/46ee021475d60aeff17a7e490b79dea5a5684bb392ab7fd1494027411df8ba23?s=96&d=mm&r=g\",\"caption\":\"Lea Couderc\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Musiche hassidiche terza parte - Institut Europ\u00e9en des Musiques Juives","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.iemj.org\/it\/musiques-hassidiques-3eme-partie\/","og_locale":"it_IT","og_type":"article","og_title":"Musiche hassidiche terza parte - Institut Europ\u00e9en des Musiques Juives","og_description":"L’emergere del movimento hassidico in Podolia, nella seconda met\u00e0 del 18\u00b0 secolo, fu accompagnato dalla creazione di un nuovo tipo di canto, a met\u00e0 strada tra la musica religiosa e","og_url":"https:\/\/www.iemj.org\/it\/musiques-hassidiques-3eme-partie\/","og_site_name":"Institut Europ\u00e9en des Musiques Juives","article_publisher":"https:\/\/www.facebook.com\/MusiquesJuives\/","article_published_time":"2016-10-17T13:36:43+00:00","article_modified_time":"2025-05-27T10:54:49+00:00","og_image":[{"width":500,"height":332,"url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/arton1898.jpg","type":"image\/jpeg"}],"author":"Lea Couderc","twitter_card":"summary_large_image","twitter_misc":{"Scritto da":"Lea Couderc","Tempo di lettura stimato":"2 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.iemj.org\/it\/musiques-hassidiques-3eme-partie\/#article","isPartOf":{"@id":"https:\/\/www.iemj.org\/it\/musiques-hassidiques-3eme-partie\/"},"author":{"name":"Lea Couderc","@id":"https:\/\/www.iemj.org\/it\/#\/schema\/person\/e2ad57f2c4be119c7ed8ab79036807a9"},"headline":"Musiche hassidiche terza parte","datePublished":"2016-10-17T13:36:43+00:00","dateModified":"2025-05-27T10:54:49+00:00","mainEntityOfPage":{"@id":"https:\/\/www.iemj.org\/it\/musiques-hassidiques-3eme-partie\/"},"wordCount":219,"publisher":{"@id":"https:\/\/www.iemj.org\/it\/#organization"},"image":{"@id":"https:\/\/www.iemj.org\/it\/musiques-hassidiques-3eme-partie\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/arton1898.jpg","articleSection":["Playlist"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.iemj.org\/it\/musiques-hassidiques-3eme-partie\/","url":"https:\/\/www.iemj.org\/it\/musiques-hassidiques-3eme-partie\/","name":"Musiche hassidiche terza parte - Institut Europ\u00e9en des Musiques Juives","isPartOf":{"@id":"https:\/\/www.iemj.org\/it\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.iemj.org\/it\/musiques-hassidiques-3eme-partie\/#primaryimage"},"image":{"@id":"https:\/\/www.iemj.org\/it\/musiques-hassidiques-3eme-partie\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/arton1898.jpg","datePublished":"2016-10-17T13:36:43+00:00","dateModified":"2025-05-27T10:54:49+00:00","breadcrumb":{"@id":"https:\/\/www.iemj.org\/it\/musiques-hassidiques-3eme-partie\/#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.iemj.org\/it\/musiques-hassidiques-3eme-partie\/"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.iemj.org\/it\/musiques-hassidiques-3eme-partie\/#primaryimage","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/arton1898.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/arton1898.jpg","width":500,"height":332},{"@type":"BreadcrumbList","@id":"https:\/\/www.iemj.org\/it\/musiques-hassidiques-3eme-partie\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.iemj.org\/it\/"},{"@type":"ListItem","position":2,"name":"Musiche hassidiche terza parte"}]},{"@type":"WebSite","@id":"https:\/\/www.iemj.org\/it\/#website","url":"https:\/\/www.iemj.org\/it\/","name":"Institut Europ\u00e9en des Musiques Juives","description":"Des traditions musicales \u00e0 la port\u00e9e de tous","publisher":{"@id":"https:\/\/www.iemj.org\/it\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.iemj.org\/it\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.iemj.org\/it\/#organization","name":"Institut Europ\u00e9en des Musiques Juives","url":"https:\/\/www.iemj.org\/it\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.iemj.org\/it\/#\/schema\/logo\/image\/","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","width":150,"height":50,"caption":"Institut Europ\u00e9en des Musiques Juives"},"image":{"@id":"https:\/\/www.iemj.org\/it\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/MusiquesJuives\/","https:\/\/www.instagram.com\/musiquesjuives\/","https:\/\/www.youtube.com\/user\/musiquesjuives"]},{"@type":"Person","@id":"https:\/\/www.iemj.org\/it\/#\/schema\/person\/e2ad57f2c4be119c7ed8ab79036807a9","name":"Lea Couderc","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/46ee021475d60aeff17a7e490b79dea5a5684bb392ab7fd1494027411df8ba23?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/46ee021475d60aeff17a7e490b79dea5a5684bb392ab7fd1494027411df8ba23?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/46ee021475d60aeff17a7e490b79dea5a5684bb392ab7fd1494027411df8ba23?s=96&d=mm&r=g","caption":"Lea Couderc"}}]}},"_links":{"self":[{"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/posts\/90734","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/users\/1052"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/comments?post=90734"}],"version-history":[{"count":0,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/posts\/90734\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/media\/90735"}],"wp:attachment":[{"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/media?parent=90734"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/categories?post=90734"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/tags?post=90734"},{"taxonomy":"technique","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/technique?post=90734"},{"taxonomy":"squelettes","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/squelettes?post=90734"},{"taxonomy":"sujet","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/sujet?post=90734"},{"taxonomy":"formation","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/formation?post=90734"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/genre?post=90734"},{"taxonomy":"fonds","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/fonds?post=90734"},{"taxonomy":"tradition","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/tradition?post=90734"},{"taxonomy":"type-de-contenu","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/type-de-contenu?post=90734"},{"taxonomy":"interprete-compositeur","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/interprete-compositeur?post=90734"},{"taxonomy":"frise","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/frise?post=90734"},{"taxonomy":"type-devenement","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/type-devenement?post=90734"},{"taxonomy":"tableaux-liens-externes","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/tableaux-liens-externes?post=90734"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}