{"id":90978,"date":"2022-12-10T19:07:26","date_gmt":"2022-12-10T18:07:26","guid":{"rendered":"https:\/\/www.iemj.org\/les-chants-de-hanouka\/"},"modified":"2025-10-05T18:54:08","modified_gmt":"2025-10-05T16:54:08","slug":"les-chants-de-hanouka","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/it\/les-chants-de-hanouka\/","title":{"rendered":"I CANTI DI HANUCCAH"},"content":{"rendered":"<p><strong>Hanuccah &#8211;<\/strong> \u05d7\u05e0\u05d5\u05db\u05d4 \u00e8 la festa ebraica che commemora la reinaugurazione del Secondo Tempio di Gerusalemme nel II secolo a.C., in seguito alla vittoria dei Maccabei sui soldati del re seleucide Antioco Epifane IV.<\/p>\n<p>Secondo la tradizione rabbinica, durante questa consacrazione si sarebbe compiuto il miracolo dell&#8217;ampolla d&#8217;olio, che avrebbe permesso ai sacerdoti del Tempio di bruciare per otto giorni una quantit\u00e0 di olio normalmente appena sufficiente per un giorno. Per questo motivo Hanuccah \u00e8 chiamata anche &#8220;Festa delle luci&#8221; e dura otto giorni, dal 25 Kislev al 2 o 3 Tevet (tra la fine di novembre e la fine di dicembre nel calendario gregoriano).<\/p>\n<p><img decoding=\"async\" class=\"wp-image-90959 alignright\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/Colorful_dreidels-300x200.jpg\" alt=\"\" width=\"244\" height=\"163\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/Colorful_dreidels-300x200.jpg 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/Colorful_dreidels.jpg 500w\" sizes=\"(max-width: 244px) 100vw, 244px\" \/>Le usanze di Hanuccah sono strettamente legate al miracolo dell&#8217;ampolla d&#8217;olio, in particolare per quanto riguarda l&#8217;accensione delle candele durante gli otto giorni della festa ed il consumo di piatti a base di olio (<a href=\"https:\/\/it.wikipedia.org\/wiki\/Frittelle_di_patate\" target=\"_blank\" rel=\"noopener\">latkes<\/a>,\u00a0<a href=\"https:\/\/it.wikipedia.org\/wiki\/Sufganiyah\" target=\"_blank\" rel=\"noopener\">soufganiyot<\/a>\u2026). \u00c8 inoltre consuetudine giocare con le trottole, su ogni lato delle quali \u00e8 impressa una lettera ebraica, facendo cos\u00ec rivivere un gioco d&#8217;azzardo diffuso in tutto l&#8217;Oriente ed in Europa fin dai tempi degli antichi Romani.<\/p>\n<h2><strong>La cerimonia di accensione delle candele<\/strong><\/h2>\n<p>Numerosi canti sono specifici per la cerimonia dell&#8217;accensione delle candele, come ad esempio:<\/p>\n<p><strong>Hadlakat Hanerot &#8211; Benedizione prima dell&#8217;accensione delle candele<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-90978-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/01-Hadlakat-Hanerot.mp3?_=1\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/01-Hadlakat-Hanerot.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/01-Hadlakat-Hanerot.mp3<\/a><\/audio>\n<p>Hanerot hallalou, che racconta l&#8217;origine delle luci di Hanuccah e la loro sacralit\u00e0.<\/p>\n<p><strong>Hanerot Halalu &#8211; Ensemble Coral<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-90978-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/02-Hanerot-Halalu_Ensemble-Choral.mp3?_=2\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/02-Hanerot-Halalu_Ensemble-Choral.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/02-Hanerot-Halalu_Ensemble-Choral.mp3<\/a><\/audio>\n<p>Hanukat habayit (Sal. 30), che ricorda l&#8217;inaugurazione del Tempio<\/p>\n<p><strong>Psaume 30 &#8211; Albert Bouhadana (Estratto)<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-90978-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/03-Psaume-30_Albert-Bouhadana-Extrait.mp3?_=3\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/03-Psaume-30_Albert-Bouhadana-Extrait.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/03-Psaume-30_Albert-Bouhadana-Extrait.mp3<\/a><\/audio>\n<p>Maoz tsour, che ricorda le molte volte in cui Dio ha salvato il suo popolo.<\/p>\n<p><strong>Maoz tsour &#8211; Marcel Papier<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-90978-4\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/04-Maoz-tsour_Marcel-Papier.mp3?_=4\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/04-Maoz-tsour_Marcel-Papier.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/04-Maoz-tsour_Marcel-Papier.mp3<\/a><\/audio>\n<p>Inoltre, ci sono molte canzoni in yiddish, giudeo-spagnolo, ebraico, ecc., di solito eseguite su ritmi vivaci, come Dreidel, Dreidel, Dreidel; Oy Hanikke; El festin de Hanuka; Ochos kandelicas; Sevivon, sov sov sov&#8230; oppure anche melodie hassidiche<\/p>\n<p><strong>The Dreidel Song &#8211; in Yiddish &#8211; Dylan Seders Hoffman, Dani Apple and Lorin Zackular<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-90978-5\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/05-The-Dreidel-Song_in-Yiddish_Dylan-Seders-Hoffman-Dani-Apple-and-Lorin-Zackular.mp3?_=5\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/05-The-Dreidel-Song_in-Yiddish_Dylan-Seders-Hoffman-Dani-Apple-and-Lorin-Zackular.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/05-The-Dreidel-Song_in-Yiddish_Dylan-Seders-Hoffman-Dani-Apple-and-Lorin-Zackular.mp3<\/a><\/audio>\n<p><strong>Oy Chanukah &#8211; The Klezmer Conservatory Band<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-90978-6\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/06-Oy-Chanukah_The-Klezmer-Conservatory-Band.mp3?_=6\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/06-Oy-Chanukah_The-Klezmer-Conservatory-Band.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/06-Oy-Chanukah_The-Klezmer-Conservatory-Band.mp3<\/a><\/audio>\n<p><strong>Ocho Kandelikas &#8211; Flory Jagoda<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-90978-7\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/07-Ocho-Kandelikas_Flory-Jagoda.mp3?_=7\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/07-Ocho-Kandelikas_Flory-Jagoda.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/07-Ocho-Kandelikas_Flory-Jagoda.mp3<\/a><\/audio>\n<p><strong>Sevivon Sov Sov Sov<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-90978-8\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/08-Sevivon-Sov-Sov-Sov.mp3?_=8\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/08-Sevivon-Sov-Sov-Sov.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/08-Sevivon-Sov-Sov-Sov.mp3<\/a><\/audio>\n<p><strong>Yemei Hanouka<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-90978-9\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/09-Yemei-Hanouka.mp3?_=9\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/09-Yemei-Hanouka.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/09-Yemei-Hanouka.mp3<\/a><\/audio>\n<p><strong>Yevanim nikbezu &#8211; Tiferet Yisrael Yeshiva (Estratto)<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-90978-10\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/10-Yevanim-nikbezu_Tiferet-Yisrael-Yeshiva-Extrait.mp3?_=10\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/10-Yevanim-nikbezu_Tiferet-Yisrael-Yeshiva-Extrait.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/10-Yevanim-nikbezu_Tiferet-Yisrael-Yeshiva-Extrait.mp3<\/a><\/audio>\n<h2><strong>La liturgia specifica di Hanuccah<\/strong><\/h2>\n<p>Al mattino, l&#8217;austera lettura del Tahanun (&#8220;supplica&#8221;) \u00e8 sostituita dall&#8217;Hallel (&#8220;lode&#8221;) a causa del miracolo avvenuto (mishum nissa) nella terra d&#8217;Israele. Viene recitato per intero (dal Salmo 113 al Salmo 118) negli otto giorni di Hanuccah, dopo l&#8217;Amidah del mattino.<\/p>\n<p>Ogni mattina si legge in sinagoga una sezione speciale della Torah (Zot Hanukah&#8217; Hamizbeah&#8217;).<\/p>\n<p><strong>Lettura della Torah del primo giorno di Hanuccah &#8211; Rabbi Cantor Yehuda Abittan (Estratto)<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-90978-11\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/11-Lecture-de-la-Torah-du-premier-jour-de-Hanouka_Rabbin-Cantor-Yehuda-Abittan-Extrait.mp3?_=11\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/11-Lecture-de-la-Torah-du-premier-jour-de-Hanouka_Rabbin-Cantor-Yehuda-Abittan-Extrait.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/11-Lecture-de-la-Torah-du-premier-jour-de-Hanouka_Rabbin-Cantor-Yehuda-Abittan-Extrait.mp3<\/a><\/audio>\n<p>La benedizione Al hanissim \u00e8 intercalata nell&#8217;Amidah durante le funzioni del mattino, del pomeriggio e della sera e durante la Birkat hamazon (benedizione di grazia dopo i pasti). Prende il nome dall&#8217;incipit &#8220;Al hanissim&#8221; (&#8220;[Ti ringraziamo] per i miracoli&#8221;) ed \u00e8 seguito da un breve resoconto della vittoria di Mattathias e dei suoi figli.<\/p>\n<p><strong>Al hanissim &#8211; Hans Bloemendal<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-90978-12\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/12-Al-hanissim_Hans-Bloemendal.mp3?_=12\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/12-Al-hanissim_Hans-Bloemendal.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/12-Al-hanissim_Hans-Bloemendal.mp3<\/a><\/audio>\n<p>Infine, ci sono poesie religiose specifiche per ogni tradizione, come la piyyut alsaziana Schnei zessim [zetim] annotata nel 1864 da <a href=\"https:\/\/www.iemj.org\/it\/naumbourg-samuel-1817-1880\/\" target=\"_blank\" rel=\"noopener\">Samuel Naumbourg<\/a><span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_90978_1('footnote_plugin_reference_90978_1_1');\" onkeypress=\"footnote_moveToReference_90978_1('footnote_plugin_reference_90978_1_1');\" ><sup id=\"footnote_plugin_tooltip_90978_1_1\" class=\"footnote_plugin_tooltip_text\">[1]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_90978_1_1\" class=\"footnote_tooltip\">Samuel Naumbourg, <em>Shirei kodesh, Nouveau recueil de chants religieux \u00e0 l\u2019usage du culte isra\u00e9lite<\/em>, Paris, rue Vend\u00f4me, 1864.<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_90978_1_1').tooltip({ tip: '#footnote_plugin_tooltip_text_90978_1_1', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script><\/p>\n<p><strong><span style=\"font-size: revert; background-color: var(--bs-body-bg); color: var(--bs-body-color); font-family: var(--bs-body-font-family); text-align: var(--bs-body-text-align);\">Schnei zetim &#8211; Adolphe Attia (Estratto)<\/span><\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-90978-13\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/13-Schnei-zetim_Adolphe-Attia-Extrait.mp3?_=13\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/13-Schnei-zetim_Adolphe-Attia-Extrait.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/13-Schnei-zetim_Adolphe-Attia-Extrait.mp3<\/a><\/audio>\n<ul>\n<li><a href=\"https:\/\/www.iemj.org\/it\/sujet\/hanuccah-it\/\" target=\"_blank\" rel=\"noopener\">Per saperne di pi\u00f9<\/a><\/li>\n<li><a href=\"https:\/\/www.iemj.org\/it\/hanouka-la-selection-musicale-de-liemj-1ere-partie\/\" target=\"_blank\" rel=\"noopener\">Ascoltare la playlist Hanuccah 1<\/a><\/li>\n<li><a href=\"https:\/\/www.iemj.org\/it\/hanouka-la-selection-musicale-de-liemj-2eme-partie\/\" target=\"_blank\" rel=\"noopener\">Ascoltare la playlist Hanuccah 2<\/a><\/li>\n<\/ul>\n\n\n<figure class=\"wp-block-video\"><video controls src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/Extrait-SDV-Hanouka-by-Lea.mp4\"><\/video><figcaption class=\"wp-element-caption\"><strong>Guardare un estratto del video <em>La source de vie de Josy Eisenberg&nbsp;: Hanouccah, la f\u00eate des Lumi\u00e8res<\/em><\/strong> <em>(Hanuccah, la festa delle luci)<\/em><\/figcaption><\/figure>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110609\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div><div class=\"speaker-mute footnotes_reference_container\"> <div class=\"footnote_container_prepare\"><p><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_label pointer\" onclick=\"footnote_expand_collapse_reference_container_90978_1();\">&#x202F;<\/span><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_collapse_button\" style=\"display: none;\" onclick=\"footnote_expand_collapse_reference_container_90978_1();\">[<a id=\"footnote_reference_container_collapse_button_90978_1\">+<\/a>]<\/span><\/p><\/div> <div id=\"footnote_references_container_90978_1\" style=\"\"><table class=\"footnotes_table footnote-reference-container\"><caption class=\"accessibility\">References<\/caption> <tbody> \r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_90978_1('footnote_plugin_tooltip_90978_1_1');\"><a id=\"footnote_plugin_reference_90978_1_1\" class=\"footnote_backlink\">1<\/a><\/th> <td class=\"footnote_plugin_text\">Samuel Naumbourg, <em>Shirei kodesh, Nouveau recueil de chants religieux \u00e0 l\u2019usage du culte isra\u00e9lite<\/em>, Paris, rue Vend\u00f4me, 1864.<\/td><\/tr>\r\n\r\n <\/tbody> <\/table> <\/div><\/div><script type=\"text\/javascript\"> function footnote_expand_reference_container_90978_1() { jQuery('#footnote_references_container_90978_1').show(); jQuery('#footnote_reference_container_collapse_button_90978_1').text('\u2212'); } function footnote_collapse_reference_container_90978_1() { jQuery('#footnote_references_container_90978_1').hide(); jQuery('#footnote_reference_container_collapse_button_90978_1').text('+'); } function footnote_expand_collapse_reference_container_90978_1() { if (jQuery('#footnote_references_container_90978_1').is(':hidden')) { footnote_expand_reference_container_90978_1(); } else { footnote_collapse_reference_container_90978_1(); } } function footnote_moveToReference_90978_1(p_str_TargetID) { footnote_expand_reference_container_90978_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } } function footnote_moveToAnchor_90978_1(p_str_TargetID) { footnote_expand_reference_container_90978_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } }<\/script>","protected":false},"excerpt":{"rendered":"<p>Hanuccah &#8211; \u05d7\u05e0\u05d5\u05db\u05d4 \u00e8 la festa ebraica che commemora la reinaugurazione del Secondo Tempio di Gerusalemme nel II secolo a.C., in seguito alla vittoria dei Maccabei sui soldati del re<\/p>\n","protected":false},"author":5,"featured_media":90955,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"categories":[1407,1409],"tags":[],"technique":[],"squelettes":[],"sujet":[1741],"formation":[],"genre":[],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-90978","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articoli-di-fondo-it","category-musica-liturgica-it","sujet-hanuccah-it"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>I CANTI DI HANUCCAH - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/it\/les-chants-de-hanouka\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"I CANTI DI HANUCCAH - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"Hanuccah &#8211; \u05d7\u05e0\u05d5\u05db\u05d4 \u00e8 la festa ebraica che commemora la reinaugurazione del Secondo Tempio di Gerusalemme nel II secolo a.C., in seguito alla vittoria dei Maccabei sui soldati del re\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/it\/les-chants-de-hanouka\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2022-12-10T18:07:26+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-10-05T16:54:08+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/LOGO-article-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"500\" \/>\n\t<meta property=\"og:image:height\" content=\"500\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jacqueline ROTEN\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jacqueline ROTEN\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/les-chants-de-hanouka\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/les-chants-de-hanouka\\\/\"},\"author\":{\"name\":\"Jacqueline ROTEN\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#\\\/schema\\\/person\\\/358e26c18aca017fcc4cc15437f7279c\"},\"headline\":\"I CANTI DI HANUCCAH\",\"datePublished\":\"2022-12-10T18:07:26+00:00\",\"dateModified\":\"2025-10-05T16:54:08+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/les-chants-de-hanouka\\\/\"},\"wordCount\":709,\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/les-chants-de-hanouka\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2022\\\/12\\\/LOGO-article-1.jpg\",\"articleSection\":[\"Articoli di fondo\",\"Musica liturgica\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/les-chants-de-hanouka\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/les-chants-de-hanouka\\\/\",\"name\":\"I CANTI DI HANUCCAH - Institut Europ\u00e9en des Musiques Juives\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/les-chants-de-hanouka\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/les-chants-de-hanouka\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2022\\\/12\\\/LOGO-article-1.jpg\",\"datePublished\":\"2022-12-10T18:07:26+00:00\",\"dateModified\":\"2025-10-05T16:54:08+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/les-chants-de-hanouka\\\/#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.iemj.org\\\/it\\\/les-chants-de-hanouka\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/les-chants-de-hanouka\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2022\\\/12\\\/LOGO-article-1.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2022\\\/12\\\/LOGO-article-1.jpg\",\"width\":500,\"height\":500},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/les-chants-de-hanouka\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"I CANTI DI HANUCCAH\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#website\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"description\":\"Des traditions musicales \u00e0 la port\u00e9e de tous\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#organization\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"width\":150,\"height\":50,\"caption\":\"Institut Europ\u00e9en des Musiques Juives\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/MusiquesJuives\\\/\",\"https:\\\/\\\/www.instagram.com\\\/musiquesjuives\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/musiquesjuives\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#\\\/schema\\\/person\\\/358e26c18aca017fcc4cc15437f7279c\",\"name\":\"Jacqueline ROTEN\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g\",\"caption\":\"Jacqueline ROTEN\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"I CANTI DI HANUCCAH - Institut Europ\u00e9en des Musiques Juives","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.iemj.org\/it\/les-chants-de-hanouka\/","og_locale":"it_IT","og_type":"article","og_title":"I CANTI DI HANUCCAH - Institut Europ\u00e9en des Musiques Juives","og_description":"Hanuccah &#8211; \u05d7\u05e0\u05d5\u05db\u05d4 \u00e8 la festa ebraica che commemora la reinaugurazione del Secondo Tempio di Gerusalemme nel II secolo a.C., in seguito alla vittoria dei Maccabei sui soldati del re","og_url":"https:\/\/www.iemj.org\/it\/les-chants-de-hanouka\/","og_site_name":"Institut Europ\u00e9en des Musiques Juives","article_publisher":"https:\/\/www.facebook.com\/MusiquesJuives\/","article_published_time":"2022-12-10T18:07:26+00:00","article_modified_time":"2025-10-05T16:54:08+00:00","og_image":[{"width":500,"height":500,"url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/LOGO-article-1.jpg","type":"image\/jpeg"}],"author":"Jacqueline ROTEN","twitter_card":"summary_large_image","twitter_misc":{"Scritto da":"Jacqueline ROTEN","Tempo di lettura stimato":"4 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.iemj.org\/it\/les-chants-de-hanouka\/#article","isPartOf":{"@id":"https:\/\/www.iemj.org\/it\/les-chants-de-hanouka\/"},"author":{"name":"Jacqueline ROTEN","@id":"https:\/\/www.iemj.org\/it\/#\/schema\/person\/358e26c18aca017fcc4cc15437f7279c"},"headline":"I CANTI DI HANUCCAH","datePublished":"2022-12-10T18:07:26+00:00","dateModified":"2025-10-05T16:54:08+00:00","mainEntityOfPage":{"@id":"https:\/\/www.iemj.org\/it\/les-chants-de-hanouka\/"},"wordCount":709,"publisher":{"@id":"https:\/\/www.iemj.org\/it\/#organization"},"image":{"@id":"https:\/\/www.iemj.org\/it\/les-chants-de-hanouka\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/LOGO-article-1.jpg","articleSection":["Articoli di fondo","Musica liturgica"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.iemj.org\/it\/les-chants-de-hanouka\/","url":"https:\/\/www.iemj.org\/it\/les-chants-de-hanouka\/","name":"I CANTI DI HANUCCAH - Institut Europ\u00e9en des Musiques Juives","isPartOf":{"@id":"https:\/\/www.iemj.org\/it\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.iemj.org\/it\/les-chants-de-hanouka\/#primaryimage"},"image":{"@id":"https:\/\/www.iemj.org\/it\/les-chants-de-hanouka\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/LOGO-article-1.jpg","datePublished":"2022-12-10T18:07:26+00:00","dateModified":"2025-10-05T16:54:08+00:00","breadcrumb":{"@id":"https:\/\/www.iemj.org\/it\/les-chants-de-hanouka\/#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.iemj.org\/it\/les-chants-de-hanouka\/"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.iemj.org\/it\/les-chants-de-hanouka\/#primaryimage","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/LOGO-article-1.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/LOGO-article-1.jpg","width":500,"height":500},{"@type":"BreadcrumbList","@id":"https:\/\/www.iemj.org\/it\/les-chants-de-hanouka\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.iemj.org\/it\/"},{"@type":"ListItem","position":2,"name":"I CANTI DI HANUCCAH"}]},{"@type":"WebSite","@id":"https:\/\/www.iemj.org\/it\/#website","url":"https:\/\/www.iemj.org\/it\/","name":"Institut Europ\u00e9en des Musiques Juives","description":"Des traditions musicales \u00e0 la port\u00e9e de tous","publisher":{"@id":"https:\/\/www.iemj.org\/it\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.iemj.org\/it\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.iemj.org\/it\/#organization","name":"Institut Europ\u00e9en des Musiques Juives","url":"https:\/\/www.iemj.org\/it\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.iemj.org\/it\/#\/schema\/logo\/image\/","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","width":150,"height":50,"caption":"Institut Europ\u00e9en des Musiques Juives"},"image":{"@id":"https:\/\/www.iemj.org\/it\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/MusiquesJuives\/","https:\/\/www.instagram.com\/musiquesjuives\/","https:\/\/www.youtube.com\/user\/musiquesjuives"]},{"@type":"Person","@id":"https:\/\/www.iemj.org\/it\/#\/schema\/person\/358e26c18aca017fcc4cc15437f7279c","name":"Jacqueline ROTEN","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g","caption":"Jacqueline ROTEN"}}]}},"ticketed":false,"_links":{"self":[{"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/posts\/90978","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/comments?post=90978"}],"version-history":[{"count":2,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/posts\/90978\/revisions"}],"predecessor-version":[{"id":126344,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/posts\/90978\/revisions\/126344"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/media\/90955"}],"wp:attachment":[{"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/media?parent=90978"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/categories?post=90978"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/tags?post=90978"},{"taxonomy":"technique","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/technique?post=90978"},{"taxonomy":"squelettes","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/squelettes?post=90978"},{"taxonomy":"sujet","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/sujet?post=90978"},{"taxonomy":"formation","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/formation?post=90978"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/genre?post=90978"},{"taxonomy":"fonds","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/fonds?post=90978"},{"taxonomy":"tradition","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/tradition?post=90978"},{"taxonomy":"type-de-contenu","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/type-de-contenu?post=90978"},{"taxonomy":"interprete-compositeur","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/interprete-compositeur?post=90978"},{"taxonomy":"frise","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/frise?post=90978"},{"taxonomy":"type-devenement","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/type-devenement?post=90978"},{"taxonomy":"tableaux-liens-externes","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/tableaux-liens-externes?post=90978"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}