{"id":97269,"date":"2022-02-22T14:30:08","date_gmt":"2022-02-22T13:30:08","guid":{"rendered":"https:\/\/www.iemj.org\/conference-internationale-hambourg-de-la-musique-de-la-synagogue-portugaise-au-xixe-siecle-a-lere-de-rolf-lieberman-au-xxe-siecle\/"},"modified":"2023-05-25T11:47:09","modified_gmt":"2023-05-25T09:47:09","slug":"conference-internationale-hambourg-de-la-musique-de-la-synagogue-portugaise-au-xixe-siecle-a-lere-de-rolf-lieberman-au-xxe-siecle","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/it\/conference-internationale-hambourg-de-la-musique-de-la-synagogue-portugaise-au-xixe-siecle-a-lere-de-rolf-lieberman-au-xxe-siecle\/","title":{"rendered":"Conferenza internazionale \u2013 AMBURGO \u2013 Dalla musica della sinagoga portoghese del XIX secolo all&#8217;era di Rolf Lieberman del XX secolo"},"content":{"rendered":"\n<p><\/p>\n\n\n<h3>Conferenza internazionale all&#8217;Universit\u00e0 della musica di Amburgo dall&#8217;1 al 3 marzo 2022<\/h3>\n<p><strong>Hochschule f\u00fcr Musik und Theater Hamburg &#8211; <\/strong><strong>Harvestehuder Weg 12, 20148 Hamburg, Allemagne<\/strong><\/p>\n<p><!--more--><\/p>\n<p>La presenza della cultura ebraica in Europa risale ai tempi dell&#8217;Impero Romano. Nel 2021, la Germania ha celebrato 1.700 anni di presenza, vita e cultura ebraiche.<\/p>\n<p>Nel 2020, la citt\u00e0 di Amburgo ha deciso di ricostruire la Grande Sinagoga sulla Bornplatz, distrutta nel 1938 durante la Kristallnacht. In questa occasione, l&#8217;Universit\u00e0 della musica di Amburgo organizza una conferenza internazionale sulla musica ebraica ad Amburgo, passato e presente, alla quale parteciper\u00e0 <strong>Herv\u00e9 Roten, direttore dell&#8217;IEMJ<\/strong>, insieme a Edwin Seroussi (Gerusalemme), Jasha Nemtsov (Weimar), Reinhard Flender (Amburgo) e Yuval Shaked (Haifa).<\/p>\n<p><strong>Visionare le conferenze su <a href=\"https:\/\/www.hfmt-hamburg.de\/veranstaltungen\/spielstaetten\/details\/367\/\" target=\"_blank\" rel=\"noopener\">YouTube<\/a><\/strong><\/p>\n<p><strong>Marted\u00ec 1\u00b0 marzo 2020 <a href=\"https:\/\/www.hfmt-hamburg.de\/veranstaltungen\/details\/9423\/\">Jewish Music Research<\/a><\/strong><br \/><strong>Mercoled\u00ec 2 marzo 2022 <a href=\"https:\/\/www.hfmt-hamburg.de\/veranstaltungen\/details\/9424\/\">Jewish Music Research<\/a><\/strong><br \/><strong>Gioved\u00ec 3 mars 2022 <a href=\"https:\/\/www.hfmt-hamburg.de\/veranstaltungen\/details\/9425\/\">Jewish Music Research<\/a><\/strong><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=01qBSpz4a7I\"><strong>Cliccare qui<\/strong><\/a><strong> per lo streaming in diretta<\/strong><\/p>\n<p><strong>Partecipanti:<\/strong><\/p>\n<ul>\n<li><strong>Jan Phillip Sprick, <\/strong>Vice-presidente dell\u2019Universit\u00e0 di musica d\u2019Amburgo<\/li>\n<li><strong>Edwin Seroussi, <\/strong>Direttore del Centro di ricerche sulla musica ebraica dell\u2019Universit\u00e0 ebraica di Gerusalemme e ricercatore invitato in studi ebraici al Dartmouth College<\/li>\n<li><strong>Herv\u00e9 Roten, <\/strong>Direttore dell\u2019Institut Europ\u00e9en des Musiques Juives (IEMJ), etnomusicologo, dottore in musicologia dell\u2019Universit\u00e0 Paris IV Sorbonne<\/li>\n<li><strong>Jascha Nemtsov, <\/strong>pianista e professore di storia della musica ebraica alla Hochschule f\u00fcr Musik Franz Liszt di Weimar<\/li>\n<li><strong>Reinhard Flender<\/strong>, Direttore dell\u2019Istituto di ricerche sull\u2019innovazione culturale all\u2019Universit\u00e0 di musica e di teatro di Amburgo, compositore tedesco e ricercatore in musicologia.\u00a0<\/li>\n<li><strong>Yuval Shaked<\/strong>, Direttore del Dipartimento di musica dell\u2019Universit\u00e0 di Ha\u00effa e compositore<\/li>\n<\/ul>\n<h3><strong>Programma:<\/strong><\/h3>\n<ul>\n<li><strong>Marted\u00ec 1 marzo<\/strong><\/li>\n<\/ul>\n<p><strong>\u00a0\u00a0\u00a0\u00a0 \u00b0\u00a0 15:00 \u2013 16:30 Edwin Seroussi (Gerusalemme) Discorso introduttivo e sessione di apertura<\/strong><\/p>\n<p style=\"padding-left: 40px;\">Un incontro musicale inaspettato: musica liturgica ispano-portoghese nelle sinagoghe tedesche<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0 \u00b0\u00a0 17:00 \u2013 18:30 Herv\u00e9 Roten (Parigi) Conferenza e discussione<\/strong><\/p>\n<p style=\"padding-left: 40px;\">L&#8217;introduzione della notazione musicale occidentale e dell&#8217;organo nelle comunit\u00e0 ispano-portoghesi francesi nel XIX secolo: cambiamenti e continuit\u00e0<\/p>\n<ul>\n<li><strong>Mercoled\u00ec 2 marzo<\/strong><\/li>\n<\/ul>\n<p>\u00a0\u00a0\u00a0 \u00b0\u00a0 <strong>15:00 \u2013 16:30 Jascha Nemtsov (Weimar) Conferenza e discussione<\/strong><\/p>\n<p style=\"padding-left: 40px;\">Il cantore del tempio riformato di Amburgo Leon Kornitzer e il suo diario (Der j\u00fcdische Kantor)<\/p>\n<p style=\"padding-left: 40px;\">\u00a0\u00a0\u00a0 \u00b0\u00a0 <strong>17:00 \u2013 18:30 Jascha Nemtsov, Herv\u00e9 Roten, Edwin Seroussi, Reinhard Flender<\/strong> (moderatore) \u2013 Tavola rotonda<\/p>\n<p style=\"padding-left: 40px;\">Identit\u00e0 culturale e assimilazione &#8211; La musica ebraica in Germania ed in Francia nel XIX secolo.<\/p>\n<ul>\n<li><strong>Gioved\u00ec 3 marzo<\/strong>\n<ul>\n<li><strong>15\u00a0:00 \u2013 16\u00a0:30 Reinhard Flender Conferenza e discussione<\/strong><br \/>Rolf Liebermann \u2013 innovazione culturale per Amburgo dalla NDR allo Staatsoper<\/li>\n<li><strong>17\u00a0:00 \u2013 18\u00a0:30 Yuval Shaked (Haifa) Conferenzza e discussione<\/strong><br \/>L\u2019opera \u00ab\u00a0Der Turm\u00a0\u00bb &#8211; La collaborazione del compositore Josef Tal con il librettista Hans Keller come \u00e8 stata concepita e riflessa nella loro corrispondenza.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p><em>Entrata libera<\/em><\/p>\n<p>\u00a0<\/p>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Conferenza internazionale all&#8217;Universit\u00e0 della musica di Amburgo dall&#8217;1 al 3 marzo 2022 Hochschule f\u00fcr Musik und Theater Hamburg &#8211; Harvestehuder Weg 12, 20148 Hamburg, Allemagne<\/p>\n","protected":false},"author":5,"featured_media":81217,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1383,1371],"tags":[3421],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-97269","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-corsi-conferenze-it","category-manifestazioni-it","tag-eventi-partner-it"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Conferenza internazionale \u2013 AMBURGO \u2013 Dalla musica della sinagoga portoghese del XIX secolo all&#039;era di Rolf Lieberman del XX secolo - Institut Europ\u00e9en des Musiques 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