{"id":99132,"date":"2020-01-15T17:25:48","date_gmt":"2020-01-15T16:25:48","guid":{"rendered":"https:\/\/www.iemj.org\/metamorphose-des-melodies\/"},"modified":"2025-09-16T12:17:42","modified_gmt":"2025-09-16T10:17:42","slug":"metamorphose-des-melodies","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/it\/metamorphose-des-melodies\/","title":{"rendered":"M\u00e9tamorphose des m\u00e9lodies"},"content":{"rendered":"<p>&#8220;Lo yiddish e l&#8217;ebraico sono come due gemelli sotto lo stesso tetto&#8221;, un&#8217;affermazione di Dov Sadan a cui fa eco Aharon Appelfeld, che esprime il lungo percorso di queste due lingue legate dalla stessa cultura nel corso dei secoli. Mich\u00e8le Tauber \u00e8 intimamente legata a queste lingue ed a questa cultura, ed in particolare alla musica della loro poesia.<\/p>\n<p>Questo doppio album \u00e8 un&#8217;antologia di poesie ebraiche e yiddish messe in musica da illustri compositori in ebraico ed in yiddish.<\/p>\n<p>Tra i poeti e compositori ci sono Natan Alterman, Lea Goldberg, Yehuda Amiha\u00ef, Mordekhay Gebirtig, ebanista a Cracovia, Itsik Mangher, Jacques Grober; Avrom Goldfaden, il padre dell&#8217;operetta yiddish; Sasha Argov, impiegato di banca e poi libraio a Tel Aviv; Moshe Wilensky, autore di oltre 1.500 canzoni; Dov Zeltser, compositore del famoso musical <em>Di megile lider<\/em>, basato su poesie di Itsik Mangher; Kurt Weil, Charles Trenet; Naomi Shemer, cantautrice simbolo di Israele, e molti altri&#8230;<\/p>\n<p>La loro musica attinge a fonti classiche ma anche alle tradizioni slave, gitane e balcaniche, e si ispira pure ai toni ed ai ritmi orientali<\/p>\n<h2><strong><a href=\"https:\/\/www.iemj.org\/it\/produit\/m-tauber-l-grynszpan-metamorphose-des-melodies\/\" target=\"_blank\" rel=\"noopener\">Ordinare il CD nel negozio IEMJ<\/a><\/strong><\/h2>\n<center><\/center><center><img fetchpriority=\"high\" decoding=\"async\" class=\" aligncenter size-full wp-image-26642\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/couv4_cd_metamorphose_des_melodies_pour_boutique_iemj.jpg\" alt=\"couv4_cd_metamorphose_des_melodies_pour_boutique_iemj.jpg\" width=\"600\" height=\"527\" align=\"middle\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/couv4_cd_metamorphose_des_melodies_pour_boutique_iemj.jpg 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/couv4_cd_metamorphose_des_melodies_pour_boutique_iemj-300x264.jpg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/center>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110609\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-dd660709-921c-4419-8578-03a371585cae\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/cd1.1-dem_ba_al_shem_tovs_zemberl_-_moyshe_bassin_joseph_rumshinsky.mp3\">1 &#8211; Dem ba&#8217;al shem tovs zemberl &#8211; Moyshe Bassin, Joseph Rumshinsky (EXTRAIT CD1)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-d281eb26-4208-41ce-a927-7528621abbc5\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/cd1.2-in_a_feldele_-_jacques_grober.mp3\">2 &#8211; In a feldele &#8211; Jacques Grober (EXTRAIT CD1)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-7a3345e3-abd6-4d78-99f0-7d94e8554c83\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/cd1.3-eynzam_-_itsik_mangher_nurit_hirsch.mp3\">3 &#8211; Eynzam &#8211; Itsik Mangher, Nurit Hirsch (EXTRAIT CD1)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-918261ac-9691-43fd-b4b1-d21072d52b06\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/cd1.4-di_zun_vet_aruntergeyn_-_moyshe_leyb_halpern_ben_yomen.mp3\">4 &#8211; Di zun vet aruntergeyn &#8211; Moyshe Leyb Halpern, Ben Yomen (EXTRAIT CD1)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-c2d7ec54-c971-4fe5-a462-73f0ee2f2e59\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/cd2.1-ete_ma-she_ratsiti_-_yoram_tehar-lev_sasha_argov.mp3\">5 &#8211; Ete ma-she ratsiti &#8211; Yoram Tehar-Lev, Sasha Argov (EXTRAIT CD2)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-bbe2abfc-b4f1-46b8-b2d8-c8534e5f771a\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/cd2.2-lifnot_erev_-_aharon_shabtai_sasha_argov.mp3\">6 &#8211; Lifnot erev &#8211; Aharon Shabta\u00cf, Sasha Argov (EXTRAIT CD2)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-1ebb2ad6-d684-42a1-9447-da42ddc6ed0d\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/cd2.3-hu_lo_yada_et_shima_-_hayim_hefer_sasha_argov.mp3\">7 &#8211; Hu lo yada et shima &#8211; Hayim Hefer, Sasha Argov (EXTRAIT CD2)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-2164a0e6-edd6-4ec2-9e4b-ab59700d833a\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/cd2.4-ha-simla_ha-segula_-_hayim_hefer_sasha_argov.mp3\">8 &#8211; Ha-simla ha-segula &#8211; Hayim Hefer, Sasha Argov (EXTRAIT CD2)<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Lo yiddish e l&#8217;ebraico sono come due gemelli sotto lo stesso tetto&#8221;, un&#8217;affermazione di Dov Sadan a cui fa eco Aharon Appelfeld, che esprime il lungo percorso di queste due<\/p>\n","protected":false},"author":5,"featured_media":99134,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1569,1564],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1676],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-99132","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd-it","category-ultimi-acquisti-it","genre-yiddish-it-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>M\u00e9tamorphose des m\u00e9lodies - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/it\/metamorphose-des-melodies\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"M\u00e9tamorphose des m\u00e9lodies - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"&#8220;Lo yiddish e l&#8217;ebraico sono come due gemelli sotto lo stesso tetto&#8221;, un&#8217;affermazione di Dov Sadan a cui fa eco Aharon Appelfeld, che esprime il lungo percorso di queste due\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/it\/metamorphose-des-melodies\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-01-15T16:25:48+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-09-16T10:17:42+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/arton4479-e1619023711454.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"350\" \/>\n\t<meta property=\"og:image:height\" content=\"345\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jacqueline ROTEN\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jacqueline ROTEN\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/metamorphose-des-melodies\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/metamorphose-des-melodies\\\/\"},\"author\":{\"name\":\"Jacqueline ROTEN\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#\\\/schema\\\/person\\\/358e26c18aca017fcc4cc15437f7279c\"},\"headline\":\"M\u00e9tamorphose des m\u00e9lodies\",\"datePublished\":\"2020-01-15T16:25:48+00:00\",\"dateModified\":\"2025-09-16T10:17:42+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/metamorphose-des-melodies\\\/\"},\"wordCount\":281,\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/metamorphose-des-melodies\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2020\\\/01\\\/arton4479-e1619023711454.jpg\",\"articleSection\":[\"CD\",\"Ultimi acquisti\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/metamorphose-des-melodies\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/metamorphose-des-melodies\\\/\",\"name\":\"M\u00e9tamorphose des m\u00e9lodies - Institut Europ\u00e9en des Musiques Juives\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/metamorphose-des-melodies\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/metamorphose-des-melodies\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2020\\\/01\\\/arton4479-e1619023711454.jpg\",\"datePublished\":\"2020-01-15T16:25:48+00:00\",\"dateModified\":\"2025-09-16T10:17:42+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/metamorphose-des-melodies\\\/#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.iemj.org\\\/it\\\/metamorphose-des-melodies\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/metamorphose-des-melodies\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2020\\\/01\\\/arton4479-e1619023711454.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2020\\\/01\\\/arton4479-e1619023711454.jpg\",\"width\":350,\"height\":345},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/metamorphose-des-melodies\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"M\u00e9tamorphose des m\u00e9lodies\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#website\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"description\":\"Des traditions musicales \u00e0 la port\u00e9e de tous\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#organization\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"width\":150,\"height\":50,\"caption\":\"Institut Europ\u00e9en des Musiques Juives\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/MusiquesJuives\\\/\",\"https:\\\/\\\/www.instagram.com\\\/musiquesjuives\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/musiquesjuives\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#\\\/schema\\\/person\\\/358e26c18aca017fcc4cc15437f7279c\",\"name\":\"Jacqueline ROTEN\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g\",\"caption\":\"Jacqueline ROTEN\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"M\u00e9tamorphose des m\u00e9lodies - Institut Europ\u00e9en des Musiques Juives","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.iemj.org\/it\/metamorphose-des-melodies\/","og_locale":"it_IT","og_type":"article","og_title":"M\u00e9tamorphose des m\u00e9lodies - Institut Europ\u00e9en des Musiques Juives","og_description":"&#8220;Lo yiddish e l&#8217;ebraico sono come due gemelli sotto lo stesso tetto&#8221;, un&#8217;affermazione di Dov Sadan a cui fa eco Aharon Appelfeld, che esprime il lungo percorso di queste due","og_url":"https:\/\/www.iemj.org\/it\/metamorphose-des-melodies\/","og_site_name":"Institut Europ\u00e9en des Musiques Juives","article_publisher":"https:\/\/www.facebook.com\/MusiquesJuives\/","article_published_time":"2020-01-15T16:25:48+00:00","article_modified_time":"2025-09-16T10:17:42+00:00","og_image":[{"width":350,"height":345,"url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/arton4479-e1619023711454.jpg","type":"image\/jpeg"}],"author":"Jacqueline ROTEN","twitter_card":"summary_large_image","twitter_misc":{"Scritto da":"Jacqueline ROTEN","Tempo di lettura stimato":"2 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.iemj.org\/it\/metamorphose-des-melodies\/#article","isPartOf":{"@id":"https:\/\/www.iemj.org\/it\/metamorphose-des-melodies\/"},"author":{"name":"Jacqueline ROTEN","@id":"https:\/\/www.iemj.org\/it\/#\/schema\/person\/358e26c18aca017fcc4cc15437f7279c"},"headline":"M\u00e9tamorphose des m\u00e9lodies","datePublished":"2020-01-15T16:25:48+00:00","dateModified":"2025-09-16T10:17:42+00:00","mainEntityOfPage":{"@id":"https:\/\/www.iemj.org\/it\/metamorphose-des-melodies\/"},"wordCount":281,"publisher":{"@id":"https:\/\/www.iemj.org\/it\/#organization"},"image":{"@id":"https:\/\/www.iemj.org\/it\/metamorphose-des-melodies\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/arton4479-e1619023711454.jpg","articleSection":["CD","Ultimi acquisti"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.iemj.org\/it\/metamorphose-des-melodies\/","url":"https:\/\/www.iemj.org\/it\/metamorphose-des-melodies\/","name":"M\u00e9tamorphose des m\u00e9lodies - Institut Europ\u00e9en des Musiques Juives","isPartOf":{"@id":"https:\/\/www.iemj.org\/it\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.iemj.org\/it\/metamorphose-des-melodies\/#primaryimage"},"image":{"@id":"https:\/\/www.iemj.org\/it\/metamorphose-des-melodies\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/arton4479-e1619023711454.jpg","datePublished":"2020-01-15T16:25:48+00:00","dateModified":"2025-09-16T10:17:42+00:00","breadcrumb":{"@id":"https:\/\/www.iemj.org\/it\/metamorphose-des-melodies\/#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.iemj.org\/it\/metamorphose-des-melodies\/"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.iemj.org\/it\/metamorphose-des-melodies\/#primaryimage","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/arton4479-e1619023711454.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/arton4479-e1619023711454.jpg","width":350,"height":345},{"@type":"BreadcrumbList","@id":"https:\/\/www.iemj.org\/it\/metamorphose-des-melodies\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.iemj.org\/it\/"},{"@type":"ListItem","position":2,"name":"M\u00e9tamorphose des m\u00e9lodies"}]},{"@type":"WebSite","@id":"https:\/\/www.iemj.org\/it\/#website","url":"https:\/\/www.iemj.org\/it\/","name":"Institut Europ\u00e9en des Musiques Juives","description":"Des traditions musicales \u00e0 la port\u00e9e de tous","publisher":{"@id":"https:\/\/www.iemj.org\/it\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.iemj.org\/it\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.iemj.org\/it\/#organization","name":"Institut Europ\u00e9en des Musiques Juives","url":"https:\/\/www.iemj.org\/it\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.iemj.org\/it\/#\/schema\/logo\/image\/","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","width":150,"height":50,"caption":"Institut Europ\u00e9en des Musiques Juives"},"image":{"@id":"https:\/\/www.iemj.org\/it\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/MusiquesJuives\/","https:\/\/www.instagram.com\/musiquesjuives\/","https:\/\/www.youtube.com\/user\/musiquesjuives"]},{"@type":"Person","@id":"https:\/\/www.iemj.org\/it\/#\/schema\/person\/358e26c18aca017fcc4cc15437f7279c","name":"Jacqueline ROTEN","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g","caption":"Jacqueline ROTEN"}}]}},"_links":{"self":[{"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/posts\/99132","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/comments?post=99132"}],"version-history":[{"count":0,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/posts\/99132\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/media\/99134"}],"wp:attachment":[{"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/media?parent=99132"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/categories?post=99132"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/tags?post=99132"},{"taxonomy":"technique","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/technique?post=99132"},{"taxonomy":"squelettes","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/squelettes?post=99132"},{"taxonomy":"sujet","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/sujet?post=99132"},{"taxonomy":"formation","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/formation?post=99132"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/genre?post=99132"},{"taxonomy":"fonds","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/fonds?post=99132"},{"taxonomy":"tradition","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/tradition?post=99132"},{"taxonomy":"type-de-contenu","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/type-de-contenu?post=99132"},{"taxonomy":"interprete-compositeur","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/interprete-compositeur?post=99132"},{"taxonomy":"frise","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/frise?post=99132"},{"taxonomy":"type-devenement","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/type-devenement?post=99132"},{"taxonomy":"tableaux-liens-externes","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/tableaux-liens-externes?post=99132"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}