{"id":99390,"date":"2020-01-15T12:08:20","date_gmt":"2020-01-15T11:08:20","guid":{"rendered":"https:\/\/www.iemj.org\/simkhat-hanefesh-early-yiddish-music\/"},"modified":"2025-09-16T12:24:04","modified_gmt":"2025-09-16T10:24:04","slug":"simkhat-hanefesh-early-yiddish-music","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/it\/simkhat-hanefesh-early-yiddish-music\/","title":{"rendered":"Simkhat Hanefesh &#8211; Early Yiddish Music"},"content":{"rendered":"<p>Il CD <em>Simkhat Hanefesh<\/em> ci trasporta nella musica popolare del mondo ebraico ashkenazita, dal Rinascimento al Barocco (dal XV alla met\u00e0 del XVII secolo).<\/p>\n<p>L\u2019yiddish occidentale del Rinascimento e del Barocco non \u00e8 lo stesso dell\u2019yiddish orientale moderno, cos\u00ec come alcune antiche lingue europee differiscono dalla loro versione contemporanea. Chi parla l\u2019yiddish orientale noter\u00e0 in particolare l&#8217;assenza di parole slave od un altro modo di pronunciare le parole ebraiche.<\/p>\n<p>Questo disco riunisce 20 titoli strumentali e cantati (principalmente in yiddish occidentale, ma anche in francese ed in ebraico) di autori o di compositori dell&#8217;epoca, come Guglielmo Ebreo di Pesaro, Wolfgang Dachstein, Leyb Kottenheim o Shloyme Singer di Praga.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\" alignleft  wp-image-26621\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/cd_1442_1_400px.jpg\" alt=\"cd_1442_1_400px.jpg\" width=\"285\" height=\"347\" align=\"left\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/cd_1442_1_400px.jpg 329w, https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/cd_1442_1_400px-247x300.jpg 247w\" sizes=\"(max-width: 285px) 100vw, 285px\" \/><\/p>\n<p>Stampato nel 1726\/1727 nella citt\u00e0 di F\u00fcrth in \u00a0\u00a0\u00a0\u00a0Germania, <em>Simkhass hanefesh<\/em> (Gioia dell&#8217;anima) \u00e8 il primo libro conosciuto contenente canzoni in yiddish occidentale con melodie annotate. Bench\u00e9 diffuse in tutta Europa, le canzoni yiddish erano diffuse principalmente sotto forma di piccoli stampati, di scarsa qualit\u00e0, contenenti solo i testi e l&#8217;indicazione delle melodie. Cos\u00ec, l&#8217;autore o l&#8217;editore aggiungeva acccanto al testo una frase di tipo &#8220;sulle note di&#8230;&#8221; e indicava le prime parole di una canzone conosciuta.<\/p>\n<p>Le canzoni in yiddish occidentale trattavano di quasi tutti i temi immaginabili: religiosi, morali, educativi, fino a dei temi pi\u00f9 laici (avvenimenti storici, politici, la guerra e la pace, le parodie e le satire, l\u2019amore, le bugie, la caccia, la cavalleria, i ladri, il tempo&#8230;).<\/p>\n<p>Molti autori ebrei scrivevano nuovi testi su melodie popolari. Le loro motivazioni rispondevano a criteri estetici, morali o semplicemente mercantili. Questi poeti hanno contribuito cos\u00ec alla produzione di una moltitudine di <em>contrafactum<\/em>, ossia l&#8217;utilizzo di una melodia conosciuta sulla quale applicavano nuove parole. E\u2019 cos\u00ec che delle melodie identiche circolarono in tutta Europa, con testi adattati a seconda del pubblico (ebrei, protestanti o cattolici, o anche per la corte reale).<\/p>\n<p>Tuttavia, le canzoni apprezzate dagli ashkenaziti ed i loro diversi modi di essere cantate, suonate o ballate, non erano sempre approvate dalle autorit\u00e0, ebraiche o non ebraiche. Le fonti dell&#8217;epoca citano infatti numerose lamentele su donne che cantavano in pubblico, di Ebrei e Cristiani che ballavano insieme, di musicisti ebrei che suonavano per i cristiani, e viceversa, o dei contenuti di canzoni troppo frivole, come i <em>khutspe lider<\/em> (canzoni audaci o sfacciate) che furono di moda per molte generazioni.<\/p>\n<p><img decoding=\"async\" class=\" alignright  wp-image-26623\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/cd_1442_2_400px.jpg\" alt=\"cd_1442_2_400px.jpg\" width=\"339\" height=\"240\" align=\"right\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/cd_1442_2_400px.jpg 400w, https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/cd_1442_2_400px-300x212.jpg 300w\" sizes=\"(max-width: 339px) 100vw, 339px\" \/><\/p>\n<p>Riuniti attorno alla ricercatrice, insegnante, musicologa e cantante soprano Diana Matut, i cinque musicisti interpretano questi canti con strumenti musicali dell&#8217;epoca, come la nyckelharpa (strumento di origine svedese appartenente alla famiglia delle vielle), il violino barocco, il liuto, la tiorba o la viola da gamba.<\/p>\n<p>Accompagnato da un ricco libretto di 60 pagine, in inglese e tedesco, con foto, e contenente le traduzioni dei brani, oltre a note sui compositori e le loro opere, questo CD \u00e8 una pura meraviglia\u2026.. da ascoltare senza moderazione .<\/p>\n<p><a href=\"http:\/\/www.simkhat-hanefesh.com\/gb\/\" target=\"_blank\" rel=\"noopener\">Visitare il sito web di Simkhat Hanefesh Ensemble<\/a><br \/><a href=\"https:\/\/www.amazon.de\/CD-simkhat-hanefesh\/dp\/B079349J2L\" target=\"_blank\" rel=\"noopener\">Acquistare il CD Simkhat Hanefesh \u2013 Early Yiddish Music<\/a><\/p>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110609\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-1d29154b-ba76-469f-a3e2-703f11d73bf8\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/cd_1442_01.mp3\">Ballo Gelosia &#8211; Guglielmo Ebreo de Pesaro (extrait)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-2d1a9274-c5be-449a-820e-a93c94834401\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/cd_1442_03.mp3\">Nun freut euch lieben Christen g&#8217;mein &amp; Mo&#8217;oz tsur &#8211; Martin Luther  (extrait)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-683a12b5-8809-412a-ba05-e5f44c925470\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/cd_1442_08.mp3\">A nice bridal song &#8211; Leyb Kottenheim  (extrait)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-2b4dc690-0428-4891-bbe9-a58f5cce61b0\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/cd_1442_09.mp3\">Pumay, pumay, you Poles &amp; Pumay, you dear companions &#8211; Anonymous (extrait)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-09c8fca8-769a-46a1-887f-2b2581be8d72\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/cd_1442_12.mp3\">A nice song about two martyrs &#8211; Khayim ben Shalom (extrait)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-fdc01449-77f5-4f46-a1b3-fdaaed88b3c3\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/cd_1442_18.mp3\">Joseph est bien mari\u00e9 &#8211; trad. fran\u00e7ais (extrait)<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Il CD Simkhat Hanefesh ci trasporta nella musica popolare del mondo ebraico ashkenazita, dal Rinascimento al Barocco (dal XV alla met\u00e0 del XVII secolo). L\u2019yiddish occidentale del Rinascimento e del<\/p>\n","protected":false},"author":1048,"featured_media":99391,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1569,1564],"tags":[],"technique":[],"squelettes":[],"sujet":[1837,1845],"formation":[],"genre":[1676],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-99390","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd-it","category-ultimi-acquisti-it","sujet-barocco-it","sujet-rinascimento-it","genre-yiddish-it-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Simkhat Hanefesh - Early Yiddish Music - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/it\/simkhat-hanefesh-early-yiddish-music\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Simkhat Hanefesh - Early Yiddish Music - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"Il CD Simkhat Hanefesh ci trasporta nella musica popolare del mondo ebraico ashkenazita, dal Rinascimento al Barocco (dal XV alla met\u00e0 del XVII secolo). 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