{"id":99668,"date":"2019-02-12T18:21:32","date_gmt":"2019-02-12T17:21:32","guid":{"rendered":"https:\/\/www.iemj.org\/sutzkever-project-2\/"},"modified":"2025-09-17T10:30:13","modified_gmt":"2025-09-17T08:30:13","slug":"sutzkever-project-2","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/it\/sutzkever-project-2\/","title":{"rendered":"Sutzkever Project"},"content":{"rendered":"<p>L&#8217;album <em>Sutzkever Project<\/em> \u00e8 nato nel 2010 quando il compositore Olivier Milhaud, pronipote di Darius Milhaud, ha incontrato l&#8217;insegnante e traduttrice yiddish Batia Baum. Durante questo incontro, Batia Baum racconta la personalit\u00e0 e l&#8217;affascinante opera del poeta Avrom Sutzkever. Un&#8217;opera allucinatoria in cui il poeta vede apparire le stelle nelle fogne del ghetto di Vilna od allucina un tramonto nel proprio sangue mescolato alla calce. In questo modo, la poesia yiddish di Sutzkever sventa l&#8217;atrocit\u00e0 ricreando il mondo con un&#8217;esortazione alla vita ed alla bellezza&#8230;<\/p>\n<p>Sedotto dai testi di questo grande poeta, Olivier Milhaud ha sentito il bisogno di vestirli musicalmente. \u00c8 stato l&#8217;incontro nel 2015 con la cantante M\u00e9lanie Gardyn e nel 2016 con la pianista Natacha Medvedeva a far nascere il Sutzkever Project, che ha vinto il 1\u00b0 premio al F<em>estival Internazionale di Musica Ebraica<\/em> di Amsterdam ed il Premio <em>Mira Rafalowicz<\/em> per la migliore interpretazione yiddish nel 2017.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\" alignright size-full wp-image-22739\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/02\/cd_1140_couv4_-_redim.jpg\" alt=\"cd_1140_couv4_-_redim.jpg\" width=\"341\" height=\"300\" align=\"right\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/02\/cd_1140_couv4_-_redim.jpg 341w, https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/02\/cd_1140_couv4_-_redim-300x264.jpg 300w\" sizes=\"(max-width: 341px) 100vw, 341px\" \/>L&#8217;album <em>Sutzkever Project<\/em>, uscito nel 2018, ci propone 12 poesie di Avrom Sutzkever che toccano temi e mondi molto diversi: La natura siberiana legata alla morte del padre (<em>Sibir<\/em>), la natura incarnata in due alberi innamorati e fusionali (<em>tsvey beymer<\/em>), un nido abbandonato (<em>Di farloyrene nest<\/em>), la preghiera ed il ricordo del nonno (<em>Tikn os<\/em>), la Genesi e la caduta del paradiso (<em>Der boym fun lebn, Der boym fun visn<\/em>), l&#8217;orrore trasfigurato in una sorta di poesia-pittura, visione (<em>Farfroyrene yidn, ikh lig in an orn<\/em>), l&#8217;orrore di nuovo in una melodia cinica (<em>A vogn shikh<\/em>), l&#8217;allucinazione di un tramonto nella calce come versi di poesia (<em>Di sturmisten<\/em>) o la disillusione di un&#8217;epoca (<em>Penemer in zumpn<\/em>), una domanda mistica (<em>Tsou vemen geher ikh?<\/em>), parole che si incarnano &#8211; il violino rosa (<em>Di fidlroyz<\/em>), un&#8217;apparizione od un sogno? &#8211; la ballerina (<em>Di tentserin<\/em>).<\/p>\n<p>Ogni canzone inizia con un <em>significante musicale<\/em> (come una parola, un leitmotiv per Sutzkever), cio\u00e8 un motivo armonico, melodico e\/o ritmico attorno al quale scorre il resto.<\/p>\n<p>La musica di Olivier Milhaud, ispirata alla liturgia ebraica e magnificamente eseguita da M\u00e9lanie Gardyn e Natacha Medvedeva, segue le orme di Bloch, Ravel, Eisler, Shostakovich&#8230;<\/p>\n<p>Un successo assoluto!<\/p>\n<p><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/02\/bio_sutzkever-dossier-anima.pdf\" target=\"_blank\" rel=\"noopener\">Biografia Avrom Sutzkever<\/a><\/p>\n<h2><a href=\"https:\/\/www.iemj.org\/it\/produit\/sutzkever-project\/\" target=\"_blank\" rel=\"noopener\">Comprare il CD Sutzkever Project sur la boutique de l&#8217;IEMJ<\/a><\/h2>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110609\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-8c6560cf-4179-45f9-8ba2-706528ef9f97\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/02\/01_petit_soleil_ex.mp3\">01 Petit soleil EX<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-a13be597-8794-4db5-a1e2-5b0fe66baf79\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/02\/02_juifs_gel_s_ex.mp3\">02 Juifs gel\u00e9s EX<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-dc27339d-7e05-44cf-912e-9d78d6dbe948\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/02\/03_a_qui_j_appartiens_ex.mp3\">03 A qui j appartiens EX<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-4de1bcb3-f34e-46d1-8a36-f75c93073de6\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/02\/04_visages_dans_les_mar_cages_ex.mp3\">04 Un visage dans les mar\u00e9cages EX<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-f0f22ab8-0f94-4690-822a-2ff391618908\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/02\/05_deux_arbres_ex.mp3\">05 Deux arbres EX<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-fb7bb7bf-9255-41e8-875f-0ed00b747bae\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/02\/06_un_wagon_de_chaussures_ex.mp3\">06 Un wagon de chaussures EX<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-94df1a73-76e4-4a0b-85e7-e9502794def9\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/02\/07_au_bord_du_lac_narotch_ex.mp3\">07 Au bord du lac Narotch EX<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-48c05b5b-3af5-49f5-a3f3-0dbd7e89930d\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/02\/08_je_gis_dans_un_cercueil_ex.mp3\">08 Je gis dans un cercueil EX<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-12efa678-e96c-4438-9851-bd4b5f04d803\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/02\/09_nid_perdu_ex.mp3\">09 Nid perdu EX<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-a14a73e6-63d1-42dd-b11e-e1c6a2f019d2\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/02\/10_qui_restera_ex.mp3\">10 Qui restera EX<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-f0b9624e-928f-4fe5-b3b5-8fbf12929bb2\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/02\/11_chant_de_r_paration_ex.mp3\">11 Chant de r\u00e9paration EX<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-b0b4dad2-4eb4-43c4-b138-15a752fd6eb6\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/02\/12_a_travers_les_nuits_ensoleill_es_ex.mp3\">12 A travers les nuits ensoleill\u00e9es EX<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>L&#8217;album Sutzkever Project \u00e8 nato nel 2010 quando il compositore Olivier Milhaud, pronipote di Darius Milhaud, ha incontrato l&#8217;insegnante e traduttrice yiddish Batia Baum. Durante questo incontro, Batia Baum racconta<\/p>\n","protected":false},"author":1045,"featured_media":99670,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1569,1564],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1901,1676],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-99668","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd-it","category-ultimi-acquisti-it","genre-musica-classica-it","genre-yiddish-it-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sutzkever Project - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/it\/sutzkever-project-2\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sutzkever Project - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"L&#8217;album Sutzkever Project \u00e8 nato nel 2010 quando il compositore Olivier Milhaud, pronipote di Darius Milhaud, ha incontrato l&#8217;insegnante e traduttrice yiddish Batia Baum. 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