{"id":99709,"date":"2018-07-17T17:33:47","date_gmt":"2018-07-17T15:33:47","guid":{"rendered":"https:\/\/www.iemj.org\/en-chemin\/"},"modified":"2025-10-20T11:49:49","modified_gmt":"2025-10-20T09:49:49","slug":"en-chemin","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/it\/en-chemin\/","title":{"rendered":"En Chemin"},"content":{"rendered":"<p>Il <strong>Ch\u0153ur de Chambre des Deux-S\u00e8vres<\/strong> ha sempre voluto aprirsi alla musica di altre culture e promuoverla. L&#8217;incontro con <strong>Jean Golgevit<\/strong>, e la scoperta delle sue armonizzazioni di canzoni popolari yiddish hanno portato il Ch\u0153ur de Chambre ad abbracciare questo nuovo repertorio. Per rispondere alle specificit\u00e0 delle diverse armonizzazioni (per voci miste, per coro femminile e per coro maschile). Le <strong>Dames de Ch\u0153ur<\/strong> ed il coro maschile <strong>Les Entonneurs<\/strong> sono stati invitati a condividere l&#8217;avventura.<\/p>\n<p><strong>Jean Golgevit<\/strong><br \/>Violinista, compositore e formatore di direttori di coro, \u00e8 anche lui stesso direttore di coro. Ha creato metodi di insegnamento della musica per adulti ed ha sviluppato e concettualizzato il Linguaggio musicale, un approccio che fornisce le chiavi di lettura di una partitura con il canto come strumento privilegiato. Ha poi creato e fornito strumenti per definire e sviluppare il comportamento del maestro d&#8217;orchestra nell&#8217;atto musicale. \u00c8 riuscito a creare una nuova forma di espressione polifonica, i gruppi &#8220;Ballade&#8221; (gruppi vocali senza direzione, dopo un lungo lavoro di ascolto), che danno al cantante tutta la ricchezza dell&#8217;interpretazione individuale all&#8217;interno del gruppo.<\/p>\n<p><strong>Les Dames de Ch\u0153ur<\/strong><br \/>Creato circa vent&#8217;anni fa all&#8217;interno del Conservatoire du Bocage Bressuirais, questo coro a geometria variabile riunisce una trentina di donne.<br \/>Come cantanti dilettanti pronti a fare nuove scoperte, hanno avuto la possibilit\u00e0 di praticare insieme, sotto la guida di professionisti di qualit\u00e0 (artisti, direttori di coro, compositori ospiti, ecc.), le gioie e le esigenze dell&#8217;improvvisazione, delle canzoni tradizionali francesi, delle canzoni del mondo, dei programmi romantici, delle composizioni contemporanee e dei repertori insoliti.<\/p>\n<p><strong>Les Entonneurs<\/strong><br \/>Il coro maschile &#8220;Les Entonneurs&#8221; si \u00e8 formato nella primavera del 2008 sotto l&#8217;egida del Ch\u0153ur de Chambre des Deux-S\u00e8vres e conta oggi una ventina di cantori. Propone un programma di belle canzoni da bere ed un repertorio che spazia dal romantico al tradizionale.<\/p>\n<p><strong>Les chansons yiddish<\/strong><br \/>Il repertorio musicale si ispira a canzoni secolari cos\u00ec come danze popolari o semplici melodie senza parole. Mescolata con influenze slave, gitane, greche e turche, e pi\u00f9 tardi con il jazz, questa musica ha acquisito una diversit\u00e0 ed una sonorit\u00e0 caratteristiche.<br \/>Questi canti sono stati armonizzati da Jean Golgevit, che ha dato un tocco originale all&#8217;ensemble: invece di essere accompagnati da strumenti come da tradizione, sono eseguiti a cappella. Due CD (con il trio ed il quintetto Isajoan) ed una raccolta di spartiti sono stati pubblicati con il sostegno della Fondation pour la M\u00e9moire de la Shoah.<\/p>\n<h2><a href=\"https:\/\/www.iemj.org\/it\/produit\/en-chemin-yiddish-folk-songs\/\" target=\"_blank\" rel=\"noopener\"><strong>Comprare il CD sul negozio dell&#8217;IEMJ<\/strong><\/a><\/h2>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\" aligncenter size-full wp-image-20609\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/07\/en_chemin_-_couv4_500px.jpg\" alt=\"en_chemin_-_couv4_500px.jpg\" width=\"500\" height=\"452\" align=\"middle\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/07\/en_chemin_-_couv4_500px.jpg 500w, https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/07\/en_chemin_-_couv4_500px-300x271.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110609\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-a5d69b88-a650-4283-91fc-0251c383f8c1\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/07\/dem_milners_trern.mp3\">Dem milners trern &#8211; EXTRAIT<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-256c2504-7520-4d11-8036-c46d2915067e\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/07\/gloyb_mamenyu.mp3\">Gloyb mamenyu &#8211; EXTRAIT<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-7f25369d-98a8-4cab-a115-727b1855c8af\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/07\/shtiler_ovnt.mp3\">Shtiler ovnt &#8211; EXTRAIT<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-1f193fc0-f6d9-4c86-86d6-80ae80037c12\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/07\/ze_dos_kleydl_tateshi.mp3\">Ze dos kleydl, tateshi &#8211; EXTRAIT<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Il Ch\u0153ur de Chambre des Deux-S\u00e8vres ha sempre voluto aprirsi alla musica di altre culture e promuoverla. L&#8217;incontro con Jean Golgevit, e la scoperta delle sue armonizzazioni di canzoni popolari<\/p>\n","protected":false},"author":5,"featured_media":37166,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1569,1564],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1676],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-99709","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd-it","category-ultimi-acquisti-it","genre-yiddish-it-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>En Chemin - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/it\/en-chemin\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"En Chemin - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"Il Ch\u0153ur de Chambre des Deux-S\u00e8vres ha sempre voluto aprirsi alla musica di altre culture e promuoverla. 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